How 619 Western escaped tunnel planners' wrecking ball
The state Department of Transportation was all set to tear down the historic Pioneer Square building to make way for the waterfront tunnel.
Hugo Kugiya
Joe Mabel, Wikimedia Commons
Hugo Kugiya
As a building, 619 Western does not look like much. Minimally maintained, it is streaked with cracks, its floors are uneven, and there's scarcely a right angle. Its builders probably did not intend for greatness to be a part of its future when they erected the six-story, concrete warehouse 100 years ago.
They surely could not have predicted the current role the building is playing as the shackle to one of the largest transportation projects in state history, the replacement of the Alaskan Way Viaduct. The deep-earth boring necessary to build the planned tunnel that will replace the viaduct cannot go on until 619 Western, currently home to one of the region’s largest artist colonies, is either demolished or stabilized.
The state agency in charge of building the tunnel recommended and presumed the former option, as demolition is cheaper and easier from an engineer’s standpoint. In recent weeks, however, preservation advocates have rushed to the defense of 619 Western with such passion and in such numbers, the Washington State Department of Transportation has now publicly reversed its plans.
“The direction we were headed in this project drew a lot of attention” said Ron Paananen, the WSDOT’s project administrator.
That attention “caused us to step back and look for a better way to tackle this problem and other ways for the building to survive what we’re doing so we can preserve it,” Paananen said. “It might be engineered differently, it might be staged differently, it might involve a different arrangement between us and the building owner… there are lots of moving parts.”
All options now on the table allow for the building to survive. It has already survived obsolescence, earthquakes and neglect to become part of the Pioneer Square historic district. As such, it is entitled to protections under federal law, particularly Section 106 of the National Historic Preservation Act of 1966, which requires federal agencies to take into account the detrimental effects of federal projects to significant historic structures.
Since the law does not spell out exactly what federal agencies must do to reasonably protect a historic site or building, consulting agencies step in or are brought in to guide the process. As recently as last week, the DOT discussed the future of 619 Western as if demolition was the only option.
That got the attention of the cavalry in the form of local and state preservationists, the Seattle City Council (which heard comments yesterday about the building in a committee hearing), and the National Trust for Historic Preservation, which on Tuesday requested to become a consulting party to the project.
“I understand the building is in poor shape but it’s not the building’s fault,” said Anthea Hartig, director of the Trust’s western regional office. The DOT’s recommendation to demolish the building seemed hasty, she said, especially when weighed against the historical value of the neighborhood as a whole.
“Pioneer Square is remarkably intact,” said Hartig, based in San Francisco. “It speaks to its time and place. Our early American period, from 1860 to 1906, is not very present. As you know, half of San Francisco was destroyed in a fire. Pioneer Square, in the western context, is very unique. It is one of the oldest existing historic districts in our region.”
Much of the pushback that caused the DOT to rethink its plans gathered energy during a Jan. 13 meeting between the state DOT and various consulting parties (which at the time did not include the National Trust). Eugenia Woo, the Director of Preservation Services for Historic Seattle, was among those at the meeting.
“They were only willing to discuss mitigation of demolition not the decision as to why,” she said. “It seemed to us like they had their minds made up and that took us by surprise.”
“There were definitely times when there were disagreements. Either we wanted more information, or new things were brought up to us that made us ask more questions. We definitely asked tough questions, and did not always get adequate answers.”
In particular, consulting parties were not given a detailed accounting of how the DOT determined the cost of demolition ($2.5 million) versus the cost of repair ($29-35 million).
“We were told these were internal documents,” Woo said.
Paananen said his agency generally does not release those kinds of calculations because it does not want to “unduly influence the bidding process.” Paananen did say the retrofit estimate was provided in part by the engineering firm of Coughlin Porter Lundeen and was intended to encompass the total cost of the project not just construction costs.
Nonetheless, the DOT’s reluctance to share details of its estimates put many in the consulting parties in a defensive posture.
The DOT planned and then postponed a briefing it was to give last Wednesday (Jan. 19) to the Pioneer Square Preservation Board (a panel of architects, attorneys, developers and local business leaders), which must approve all new development and demolition in Pioneer Square. It was shortly after the postponed briefing that the state’s historic preservation officer, Allyson Brooks, met with high-level DOT officials and dissuaded them from demolishing the building, citing the likely resistance it would face, the delays it might cost the project and the potential legal action that might result.
The DOT plans to bore beneath Pioneer Square in the fall of 2013, giving it less than three years to reconcile the condition of 619 Western. Even if it convinced consulting parties that demolition was the best course of action, Pioneer Square's historic district requirements mean the state would also need to have in place concrete plans to replace the building before it could begin demolition. All signs indicated that repairing the building was the path of least resistance.
“Clearly it (the proposed demolition) was of concern to a lot of different constituencies in the city,” said Karen Gordon, the historic preservation officer for the city of Seattle, whose Department of Planning and Development issues all demolition permits.
An unfounded fear among the artists in 619 Western was that the DOT could have the building condemned as unsafe to inhabit as a way of getting around the protections given to historic buildings. But the city Department of Planning and Development considers 619 to be safe in its current state, said department spokesman Alan Justad. Furthermore, even if the building were condemned, repair would still be an option equal to demolition, Justad said.
The value of 619 Western goes beyond the structure itself. Because the building is located along the original waterfront and built atop landfill, archeologists believe a wealth of historic artifacts are buried beneath the building.
Bob Weaver, an archaeologist who has worked for the state in the past and is familiar with Seattle’s waterfront, said remnants of the fire of 1889 were likely pushed and buried in that area as was anything dumped from the wharves of the day.
“Everything was covered and protected,” Weaver said.
The artifacts might include bottles, ceramics, clothing, boats, or parts of boats. If the state’s work crews disturb the earth the artifacts are embedded in, they are obliged to recover and protect them. Demolition and construction of a new building would almost certainly require substantial excavation to the depths (15 to 20 feet) Weaver believes most of these artifacts would be found. Reinforcing the existing foundation would be less invasive although might require some excavation.
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Comments:
Posted Thu, Jan 27, 11:52 a.m. Inappropriate
Hooray!
What is going to happen to all those historical artifacts when the boring machine churns through? Will it be deep enough to avoid them?
Posted Thu, Jan 27, 1:13 p.m. Inappropriate
It is interesting the amount of hostility that is present in the previous comments. Those people, the artists are not asking for special treatment. What they want is a fair opportunity to stay in the neighborhood and community that they have been in for the past three decades. This event does not just effect them I might add. It also effects the bars, restaurants and retail businesses that these people and all their friends patronize year round. Not just for sporting events; not just on Friday night; not just to go on the underground tour. The are part of the fiber of a community which is otherwise hardly given a second glance, accept of course, by prospectors who see it as the next Belltown or Capital Hill. Does every neighborhood in King county have to gentrify? Do the artists have to be relegated, like the homeless and the working class, to the outskirts of town? what is that about? Is there not enough empty office spaces, store fronts and condos already?
Posted Thu, Jan 27, 1:33 p.m. Inappropriate
I just wish DOT would apply the same logic to the preservation of the Alaskan Way Viaduct itself and give retrofiting a more serious look than it has in the past. And by the way, have all the DOT documents pertaining to its decision to nix the retrofit option been made available to the public? I suspect that the Viaduct is in far better shape than 619 Western is.
Posted Thu, Jan 27, 2:31 p.m. Inappropriate
LJV, I agree mostly with what you say, although I don't see any hostile comments. I am very glad the building will not be demolished.
On the other hand, it is a duty of artists to seek out and inhabit the next "cool" neighborhood, like what is happening in Georgetown and Southpark. At some point gentrification will happen, especially now that suburbia is becoming less and less desirable and people want to live in the city.
Posted Thu, Jan 27, 4:25 p.m. Inappropriate
The boring necessary for the tunnel is deep enough (more than 50 feet below as I understand it) that it go below and miss any artifacts buried in that area... Andy, I think you raise an interesting question about gentrification and the desirability of suburban life. I'm not so sure suburbia is becoming less desirable. From what I'm seeing and reading, it is the suburbs that are on the upswing, ironically, because they are imitating urban areas and creating urban amenities for folks who basically want the best of both worlds and can now get them. Coffee shops, ethnic food, live theater - you can get them in the 'burbs...plus free parking.
Posted Thu, Jan 27, 6:49 p.m. Inappropriate
How does Pannenan know that the rent will be higher once the retrofitting is complete? WSDOT won't be purchasing the building, so it will stay in private hands. The artists should be relocated at WSDOT's expense to nearby space, at the same rental rate they were paying. Then, when the building is finished, WSDOT should move them back in at the original rental rate they were paying before the fix up..
That is justice and WSDOT should cover all impacts caused by the tunnel.
Posted Fri, Jan 28, 7:30 a.m. Inappropriate
How many 'artists' and friends are actually LIVING in the studios, nooks, and crannies of the 619 Western?? My guess is roughly a dozen.
Posted Fri, Jan 28, 11:40 a.m. Inappropriate
"The colony of artists at 619 might not survive the construction of the tunnel, but it appears now the building will."
In other words, capitalism has won another victory against culture: Seattle's last outpost of bohemia will be destroyed; the bohemians themselves evicted, reduced to refugees and scattered; the already obscenely rich banksters and other misery-profiteers made that much wealthier.
All in all, a perfect illustration of the New Paradigm by which Washington state and the United States in general is now governed: absolute power and unlimited profit for the Ruling Class, total subjugation and ruinous poverty for all the rest of us, with special treatment for anyone -- especially artists -- who might retain the solidarity or sensibility to foster resistance.
Posted Fri, Jan 28, 12:26 p.m. Inappropriate
@lorenbliss: "Seattle's last outpost of bohemia will be destroyed"
Last outposts? Destroyed? No, Seattle's Bohemia is way more pervasive and resilient than you are giving it credit for.
Posted Fri, Jan 28, 11:57 p.m. Inappropriate
Cocktails42, I agree wholeheartedly, the option of retrofitting the viaduct has gotten very short shrift. The deep tunnel they want to bore will be below sea level. It will forever depend on high-maintenance pumps and power systems to stay dry, lit and usable. As we enter the era of ever diminishing money and resources, might not we be better served by building things that don't require quite that level of inputs? Like maybe some more steel rails, above ground?
Posted Sun, Jan 30, 8:31 a.m. Inappropriate
The only thing worth saving about that building is the artists in it...so if I understand the article correctly all the well intentioned preservationists and arts supporters have managed to get the artists removed from the building anyway but now most likely WITHOUT ANY RELOCATION MONEY! One wonders if the artists would be smart to testify to the unsafe conditions of the building in order to support demolition in order to get relocation funds. In any event it looks like the artists are screwed no matter what. But its been a good 30 year run at that location, some fabulous art, parties and interactions took place there....somewhere a new artists building will arise.
Posted Sat, Feb 5, 2:12 a.m. Inappropriate
Save the artists, trash the building. That one will fall down in the next earthquake.
The bore tunnel is too expensive, end.of.story.
Rehab the viaduct, which is a historical monoment in itself. I love it.
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