A garden of May delights

A couple's life work left the Seattle area a garden of uncommon delights near Graham on the way to Mount Rainier.

The Meadow with <i>Rhododendron</i> 'Mood Indigo' in bloom.

Yvonne Meziere

The Meadow with Rhododendron 'Mood Indigo' in bloom.

Ione and Emmott Chase in their seventies.

Courtesy of Chase Garden

Ione and Emmott Chase in their seventies.

Emmott and Ione Chase as a young couple

Courtesy of Chase Garden

Emmott and Ione Chase as a young couple

The Entrance Garden from The Woods at Chase Garden.

Jackie Hiltz

The Entrance Garden from The Woods at Chase Garden.

To create a home, however humble, a place to call one's own, is a deeply human urge. As is the desire to leave something of importance behind, some evidence of what we've done with our time. In mid-life, Ione (1909-2006) and Emmott Chase (1910-2010) embarked upon a project to build a home and create a garden on a bluff in the shadow of Mount Rainier, a stone's throw from where they grew up.

For over four decades, the couple designed and conjured up a 4.5-acre naturalistic garden with mountain meadows, woodlands, and Japanese and alpine rock gardens that reflected their infatuation with the Pacific Northwest landscape and the partnership that was their marriage of 74 years. Ione Chase's vision translated into the garden's design but the two worked together to implement it. Ione's goal had been simple: to make a beautiful place to live.

Today, Chase Garden, in the Orting area near Graham and about an hour south of Seattle on the way to Mount Rainier, is something that anyone can enjoy. The landscape is at its peak for viewing in May, and admission is free on Mother's Day for mothers. (This story has been updated since it first appeared to correct information about the admissions on Mother's Day and Father's Day; admissions details below.)

In some ways the Chases' marriage was a traditional one with carefully circumscribed spheres. Ione was a homemaker, a "nest builder," as she put it, and Emmott was the breadwinner. She loved to sew and garden; he loved guns and hunting for elk in the foothills of Mount Rainier. She believed a woman's role was to refine a man. Yet they never had children, and there was satisfying overlap in their passions: they enjoyed hiking and camping in Mount Rainier National Park, summers at the cabin they built together in British Columbia, and the evolution of their garden near Orting.

Emmott and Ione were high school sweethearts who had gone to school in the logging community of Kapowsin in Pierce County. After graduation, Ione studied art history at the University of Puget Sound for two years and then completed a pattern-making course in Long Beach, California. Emmott followed in his father's footsteps and worked at the electron division of Puget Sound Power and Light Company, a career that spanned 47 years. When Ione received her certificate in 1932, Emmott brought her home but not before marrying her in Yuma, Arizona, on the drive back. Then in their early twenties, the two set up their first home in a company house in Electron, overlooking the canyon that sheltered the power plant southeast of Tacoma.

In 1943 they bought 12 acres of land located on a bench 200 feet above the Puyallup River valley and not far from where Ione had played as a child. It had been logged in 1908 but had a forest of small second-growth Douglas fir, cedar, hemlock, and bigleaf and vine maple that enchanted Ione. The views down the valley and up toward Mount Rainier were grand. At the time of its purchase for $425, the property itself was probably nothing to look at but Ione and Emmott could imagine its potential.

The Chases did not begin serious work on the land until 1956. They started by clearing out big stumps, alders, and cedars. They used dynamite on the stumps and a bulldozer to gather piles to burn. In this process, Emmott described his wife as a "human dynamo." He recalled going to work and returning to find that Ione had a pile of debris 10 feet high. The blackberry thickets were removed and the weeds covered with layers of newspapers and six inches of sawdust. After two years, the mulch was rototilled into the existing soil.

Although 15 years had passed in Electron before the Chases began their lifework near Orting, their life near the power station was a kind of apprenticeship for what they would create together in mid-life. In Electron, Ione built stone walls around their company house, which in the spirit of home improvement, the two of them "practically tore apart and put ... together again." She had a large garden that she was continually expanding and enhancing. In addition, they built a cabin accessible only by boat on Quesnal Lake in British Columbia.

Meanwhile Ione thought deeply about the kind of house and garden she wanted. She immersed herself in books about architecture and gardens at the local library while Emmott would "BS," as Ione said, with the fellows at the gun store. The simplicity of Japanese architecture and Zen gardens especially intrigued her. Over the years she compiled a folder of notes and magazine clippings about what she wanted. Other than her marriage, she considered the act of creating their home and garden in Orting as the most serious thing they did.

In 1957 a young architect, K. Walter Johnson, hired by the Chases, took Ione's "stack of papers" and drew up a plan for their house: an understated, one-story, Japanese-inspired house with the main entry oriented to the west, living areas on the south and east and bedrooms on the north side. Theirs was a simple house that blended into the landscape and focused on views of the valley and once planned and planted, the garden.

By 1959 the house was completed with the Chases doing much of the finish work. The focal point of the living room is a fireplace crafted from rocks carefully chosen from the Puyallup River and arranged by Ione. She liked to say that 50 was her favorite age, because upon crossing that threshold, you could say anything you wanted. Ione was 50 years old when they moved into their new house.

Landscape architect Rex Zumwalt of Tacoma designed the area around the house informed by Ione's interest in Japanese aesthetics. His plan included hardscaping features like a covered lanai, terraces, a wooden deck, a reflecting pool, bridges, and stepping stones and placement of native shrubs and trees such as vine maple and mountain hemlock.

The Chases adapted Zumwalt's design to their vision and set about pouring the concrete for the pool and terrace and bringing in suitable rocks to create paths and as sculptural focal points. Ione's "plan" for the garden evolved "as we went along" but it began with rocks, all of which the Chases brought to the property; they discovered many on the hill that sloped up to their home in the hamlet of Electron or in the Puyallup River valley. Working with rocks was a fascinating challenge to her. "I studied rocks until I felt like I had rocks in my head," Ione recalled late in her life. She loved pondering which side of a boulder to expose, how deeply to bury it for greatest effect in the landscape. With Emmott providing the heavy lifting, she could afford to be picky.

Over time the Chases enhanced an intact young woodland and created a mountain meadow, a rock garden, and other beds highlighted by native trees and shrubs. All of these garden spaces were connected with meandering, curved paths, some with Ione's beloved rocks as stepping stones, others with pea gravel, effortlessly linking one to another and to unfolding views of the river valley and the mountain. In their youth Emmott and Ione had hiked nearly every trail in Mount Rainier National Park.


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