Novels of Seattle: Are they mirrors we dare look into?

Three books probe into the good, the bad, and the ugly of Seattle's soul.

Craftsman house in Wallingford

Brewbrook/Flckr

Craftsman house in Wallingford

The Space Needle was built for the 1962 World's Fair, but it remains a symbol of the modern city.

Chethan Shankar

The Space Needle was built for the 1962 World's Fair, but it remains a symbol of the modern city.

Does the Great Seattle Novel exist?.

If there is one, there's a good chance it was written in the past year, as the city has become a vital character in some fascinating, fun books by David Guterson, Jim Lynch and Maria Semple.

Seattle has often been a feature of great poetry (Richard Hugo) and non-fiction prose (Tim Egan, Jonathan Raban), but less frequently compelling in fiction. Is there a Great Seattle Novel? Maybe. This year has seen a burst of terrific, fun, and nationally noted Seattle novels where the city is a main character in stories that are trying, among other things, to work out the nature of the city's own character.

I'm talking about David Guterson's Ed King, published late last year; Jim Lynch's Truth Like the Sun, published last spring; and Maria Semple's Where'd You Go, Bernadette, which came out this summer. In addition to being fun, fascinating reads, they all wrestle with themes involving Seattle's modern identity, how we cope with change, how we've changed.

Guterson's book starts with the Seattle World's Fair of 1962, and is a retelling of the Oedipus story. An illegitimate child, conceived on the occasion of the birth of modern Seattle, grows up to kill his father, marry his mother, and become a high-tech Gates/Jobs/Allen-type billionaire. The story ranges over the Northwest, from Portland to Eastern Washington, but Ed King/Oedipus, wealthy as the "King of Search," has a castle on the Eastside from which he rules the Internet.

We readers squirm at the inexorability of fate, the incest, the amoral and self-serving characters. Some critics found the book too short on surprises — it hews closely to the well-known tragedy. But the placing of the story in the context of the emergence of high-tech Seattle seems like a statement on what we have become.

At one point, Ed King goes to a fortune teller who tells him "In your present condition you suffer from a terrible inflation, a terrible narcissism, and an overwhelming and dangerous hubris." Sounds a lot like fin de siècle Seattle. King also has his Icarus moment, literally flying too high, and to his doom. It's hard not to see this as a comment about the Dot-com bubble, the real estate crash, a morality tale of a city that inflated to "world class" ambitions and that had, before the 2008 crash, 68,000 millionaires.

Ed King is a bit stagy and allegorical, but entertaining and full of local detail. Crosscut's critic Nick O'Connell, who has long studied Northwest literature and writers, called it "perhaps the most entertaining account of contemporary Seattle ever written." Guterson has shown an amazing eye for local detail. His previous book, The Other (2008), about a pair of high school chums coming of age in '70s Seattle, is an absolutely pitch-perfect evocation of its place and times. Ed King has less intimacy, but holds up a mirror that asks us to look at ourselves with the honesty (and accuracy) of the fortune teller.

Where'd You Go, Bernadette is another take on contemporary Seattle, like Ed King with an emphasis on the influence of tech and the money it brings. Here, author Maria Semple rewrites not Oedipus but the children's bedtime story, Runaway Bunny, except the runaway is a mom, Bernadette Fox. She's married to a Microsoft genius and TED-talk celebrity and they have a brilliant teenaged daughter, Bee. Bernadette herself is a onetime MacArthur "genius" grant recipient. Mom has a breakdown and disappears, and her daughter is determined to find her.

Bernadette is a former L.A. architect, an emigrant dealing with both her "issues" and genuine trauma, but she's flailing amidst the culture shock of moving to Seattle — not unlike former Hollywood scriptwriter Semple. The book is filled with anti-Seattle rants, ranging from the ubiquity of Craftsmen homes and Chihuly glass to the passive aggressive drivers. Some things Bernadette likes. As a monied Californian, she describes the cheapness of Seattle real estate as akin to shopping at Ikea: Oooh these Bainbridge cottages are so cute, I have to pick one up. To help her with chores like that, she has the help of a digital assistant in India.  As Judy Lightfoot pointed out here, it's hard to write satire when so much of Seattle reality is already parody.

The larger arc of the story is that it is part Wizard of Oz, with Bernadette as Dorothy. Seattle isn't so much the Emerald City as a strange landscape of weird neighbors, techie Tin Woodsmen, neurotic moms (Bernadette calls them "gnats"), and mossy Munchkins with their weird habits. Seattle is a place where the super-affluent liberals dodge beggars in the doorways of Nordstrom. Semple zeros in on the absurdities of a city of progressives, prosperity, and provincialism, but also the real-life problem of making a good life there. Seattle, she seems to suggest, has the potential to be Kansas — a place where the good life, the sane life, a creative life are all possible, if you can find your way.

Semple didn't set out to write a Seattle novel, she says, and it's true that the story could have happened in, say, Silicon Valley or Denver, but the themes work extremely well in a city always striving for "quality of life," and in so doing seems to twist itself or its residents in knots.

Writer Floyd McKay wrote in 2009 that Jim Lynch could well be the "next big name" in Northwest writers, and his Seattle novel, Truth Like the Sun, makes that case. Lynch's book is very much, and by intention, a Seattle novel and keys off the '62 fair to offer a contrast between the city of 21st century fantasies, and the actual city of the early 21st century.

The protagonist is a likable civic presence named Roger Morgan, who in the world of Truth Like the Sun ran the fair and built the Space Needle. He's a blend of Eddie Carlson, Joe Gandy, and Jay Rockey — real-life movers and shakers of the Century 21 Exposition that created the Seattle Center. He's a fixture, called "Mr. Seattle," the embodiment of the older city's self-image (which Lynch also sees as a bit narcissistic): good looking, a smoothie, folksy, full of itself, enamored of its own good intentions. Late in life, he leaps into politics to run for mayor, in part because he believes the town has lost its way and its vision. The Seattle of 2001 has become too urban, a city whose recent economic boom has left it with "more insensitivity and hostility."

As a candidate, he puts himself "in play" and runs into the buzz saw of New Seattle in the form of a reporter named Helen Gulanos. A recent arrival from back east, she reflects much of the skepticism and contempt newcomers have for the quirks of the town, not unlike the fictional Bernadette. Her job as a journalist is to find the real Roger Morgan, or rather the real old Seattle. As a mayoral candidate, she's going to give him the scrutiny he deserves.

An interesting tension is the whole idea of "past" in Seattle. In the mid-20th century, Seattle was a blank slate, with visionaries like Morgan set to create a new city from the raw material of the old frontier town. As Lynch writes on the first page of the book, the Morgan perspective in the Seattle of 1962 is that it's "so short on history, it's mostly all future anyway." But newcomer Gulanos begs to differ. She's there to find the true story of Morgan and how he got where he is, and that means digging into the history of the city since '62. If that takes some of the shine off the glistening glory days, so be it.


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Comments:

Posted Sat, Aug 25, 10:19 a.m. Inappropriate

Wheedle on the Needle!

Marc

Posted Mon, Aug 27, 2:20 p.m. Inappropriate

David Guterson is just too cute for words. Or at least the printed word. The novel is full of meanings struggling to be double. As if the title itself isn't enough to make anyone without a specific interest in Northwest literature cut and run, he shovels it on. Reading it is like watching one of those guys at the Wallingford Transfer Station run a piece of heavy machinery through the crap. Guterson isn't satisfied to be just the run-of-the-mill omniscient narrator. A flight instructor? Who warns Ed/Oedipus not to fly too high?? Named GUIDO STERNVAD??? And he still feels compelled go give his dumb-ass readers embarrassingly obvious clues to make sure they don't miss shuffling the letters to discover....wait for it....that Guido Sternvad reconfigured spells...DAVID GUTERSON.
Barf.

gabowker

Posted Wed, Aug 29, 7:14 p.m. Inappropriate

I am surprised that this piece has drawn so few comments.

1) To "gbowker": always cite a writer's best work - for everyone's sake, and that would be SNOW FALLING ON CEDARS, no?

2)I translated and published some great novels while in that line of work for a quarter of a century and so know a bit about the matter.
http://www.roloff.freehosting.net/index.html

Maria Semple's BERNADETTE appears to be the product of the sensibility of a L.A. T.V. writer which in coming down from that kind of ditzy high, departing that form of madness, then encountered the Seattle slug, and looks to have gone color blind in the process.

I for my part, after a mere 15 years in these parts, would not
presume to guess what a "great" Seattle novel might be like.
Perhaps one written by one of my/ our crows and in a post nasal
drip tone of voice? I wrote an account once of its seedy side about 10 years ago, but I would not say that the experience was prototypically
Seattle or Northwest. The mob during one of its more warlike moments
blew up blocks of streets in Kansas city. St.Louis had the Nickelodeon wars, blips on the shining city on the hill. I could go on about the seedy side of Seattle, which of course is far more interesting than the nouveau riche will ever be. However, I think MOSSBACK'S rhetorical is the wrong approach; for, this or any other kind of sociological approach is unlikely to produce a great novel of any kind out of this particular Amerian motley. This is simply not how it works.

Peter Handke, born 1942, wrote SHORT LETTER LONG FAREWEELL
[NYRB Books right now] after a 28 day 21 cities trip in 1971.
The likes of Greil Marcus think of it as one of the great American novels Prior to that Handke had been in Princeton in May 1966, spent a few days in New York and then paid his obeisance to Oxford
Mississippi. However, as you then find out, the genius
had been practicing writing in the ways of a wunderkind musician
since early adolescence, and had fine backing from
early teachers and via the cultural environs of Graz, Austria,
the Stadtpark Forum, and he had that great linguistic cultural
Austrian past to draw on and need to differentiate himself from,
and wrote his first novel age 24 in Krk/ Cordula, an Adritic
Island, while also having his first girl fiend and fathering an
illegitimate kid!

http://www.facebook.com/mike.roloff1?ref=name
Member Seattle Psychoanalytic Institute Society

http://handke-magazin.blogspot.com

mikerol

Posted Mon, Sep 10, 9:26 a.m. Inappropriate

I nearly forgot about my below "Seattle Novel" which Heather McHugh really liked, for its "green green green"... I don't know, I think I'm an Austrian writer, or became an Austrian writer now stuck in the North West. It's a piece of playful formalism, and I imagine if someone paid me I could actually turn it into a novel that would come round to the beginning.

"SEATTLE NOVEL
BY Michael Roloff
It was a rainy day in Seattle, the June rainy season, but it had almost ended. The June rainy season followed the April rainy season, and the April rainy season followed the October-February rainy season. It rained most heavily in December, so heavily that the papers recorded every day the sun peeked through the clouds as sunshine. It was 41 degrees and nearly as gray as in December and just as cold, courtesy of the Arctic jet stream across the north Pacific and across Puget Sound, two frigid bodies of water that did not milden the arctic air as a Gulfstream-warmed North Sea might, not enough, not that long before 9 am, as Cal "The Trudger," as I called him, not to his face, an ancient entirely unsuccessful worker joined me, Mike, a writer, who had arrived even earlier, because he lived closer by and got up early anyway, with the Robins at 4 A.M, and so could do some chirping, beneath the cantilevered overhang of the about 150 feet long and forty feet wide three story high, dark brown, rectangular building at the intersection of the gently sloping 35 th Ave and steep 65th Street NE to wait for Dr. Olaf Hansen’s, DDS, dental practice to open up.
The nameless dark brown building, beneath whose eastern overhang Cal, a Ballard Norwegian with a bit of an accent, and I were shuffling around its dry ground, with wrap around balconies, housed dentist office suites and the like where our dentist, who seemed to be falling on hard times with clients like us, had rented a small suite, and was keeping his first appointments waiting.
The overhang, in back, facing East, where Sad Cal and Bemused Me were congregating, looking out toward the Cascades, East, by an unpaved very rural alley, still plentiful in N.E. Seattle, that run north south, with some fruit trees overhanging from backyard orchards, cherries unpicked except by crows and me, meandering parallel to 35th Avenue, was as wide as the building and jutted about forty feet, almost like a prow or ship's stern, a tanker's, sloping from ten to about fourteen in height as the loamy, soaked, treacherous slope which anchored the building, dropped off sharply, gauze-light light-gray wasps hives, looking like baizés, on the ceiling, dry and earthen grey ground covered with dry dusty pine and spruce needles and a scattering of last year's brown and grey dried out pine and spruce cones at our feet. The eight four by four inch wooden pillars, sunk in eight by eight square grey cement blocks, supporting the overhang and the floors above, had been painted dark brown, the same color as the building like many in the neighborhood. Diagonally opposite the intersection, was an eatery that played a lot of Jerry Garcia and had excellent coffee, scones; on the other side of the street was a dry cleaner; directly opposite the other side of this avenue was an auto repair shop that itself in need of repair. The early morning fog had not entirely cleared, just the occasional disk, like a full moon, burnt through lens-like, not only was it raining, sort of, an ultra fine rain, "Gods nasal spray" "The Writer" called it, a mist, rain was dripping in fat, clear, tear drops off the ends of the long, young, green, new growth, five-inch needles of the bunches of needles, they came in bunches, the nearly weeping, drooping, heavy branches of huge, dark brown, coarsely barked evergreens as though all the needles had post nasal drip and the branches were as weighed down by the weather as Cal was by his lousy, seemingly irreparable teeth and infinite bad luck. It was dank and dark and dark green and dark brown and half a dozen rain- and wind-disheveled crows squawked and cussed overhead about the once again invasion of their dry spot, so I guessed, seriously pissed, and tried shitting on heads that peeked out from under their usual refuge. Their aim was true, but so far today they had missed. Traffic was oozing at the intersection, like the banana slugs on a nearby Rhododendron bush and like the thoughts in the minds of the Seattle drivers whose morning minds had already had a fresh dousing of platitudes form their various news organs. Not only that miasma, one of the articulated buses had inarticulatedy jack-knifed its two lengths when the overhead juice lines had snapped, and the hapless driver and his snaggle tool kept failing trying to re-attach the magnetic clamps to the wriggling overhead lines, they kept slipping off, the driver’s arms were becoming more tired by the minute in this inverted hauling of eels, DDS Hansen was not just driving in an ooze but into a jam; thus he got an excuse and would take it and proffer it once he would show up, that was just like him, and I decided to work my way across through the traffic to get Cal and me, two early morning regulars with long term care needs, a cup of coffee each. One hand of mine grazed the Rhododendron bush as I sought to dislodge the slug and I instantly broke out in hives, the mites and molds that fester so richly in temperate rain forests, and I scratched the itch which I knew would spread the hives and make them worse.
It was altogether all very Seattle, dreary. But as so often in June, the eighteen hours of daylight of summer solstice time would burn off the fog, the hot bright disk that seemed enfogged would turn from make believe moon into a high noon sun and both I and Cal with that prospect. We were prospective. Summers in Seattle were "the best" once, if ever, it got going which could take until it had nearly passed, that is until mid-August. There they were, DDS Hansen and his foxy dental assistant Kelsey, a fine Irish lass, a single mom, courtesy of a night of passion, whose car had once again broken down. DDS Hansen had double the usual excuse and they had parked elsewhere up the road and were walking, I decided to postpone the coffee and Cal and I trudged after them up the stair to the second floor wrap-around balcony and to his small office suite..."


mikerol

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