Ginny Ruffner is a celebrated glass artist who lives in a working compound in old Ballard. Her lampworking technique is organic, distinctive, highly colorful. Ruffner is known for inspiring a character in then-boyfriend Tom Robbin’s “Skinny Legs and All” and for collaborating with singer Graham Nash on a sculpture for the EMP. Her recovery from a brain injury inflicted decades ago in a near-fatal car accident, as well as her bountiful creativity, are chronicled in the award-winning documentary “A Not So Still Life.” Ruffner’s work is shown around the country, collected by museums and corporations and graces public sites, including the corner of 7th Ave. and Union Street in downtown Seattle.
Valerie Easton: What books are lying open on your nightstand right now?
Ginny Ruffner: “Genetics for Dummies” because I like to randomly open it and learn something new, no matter how insignificant, every day. I love reading and thinking about how things work and genetics tops my fascination list. “Quiet” by Susan Cain, because I’m curious about it. “Bird by Bird” by Anne Lamott because a writer friend gave it to me to ease my struggle with a catalogue essay I’m writing for my “Aesthetic Engineering” exhibition. And “Survival of the Beautiful” by David Rothenberg, because its premise aligns with one of the premises of my entire “Aesthetic Engineering” series – that beauty is so valued that it is it’s own protection.
None of these books are actually on my nightstand. I think reading to make you sleepy is an affront to the author. I keep my “to be read” pile in my kitchen office where I do my best thinking.
Do you read mostly fiction or non-fiction?
Mostly non-fiction, usually scientifically oriented explanatory books. “Chaos; Making a New Science,” by James Gleick, “The Three Pound Universe,” on current brain theory by Judith Hooper, “A Stubbornly Persistent Illusion; The Essential Scientific Works of Albert Einstein,” and physiology textbooks, among others.
I want to provoke my brain, not pacify it. I bet you’ve guessed that I don’t go to movies very often.
Do you ever read any novels?
All of Tom Robbins, Gabriel Garcia Marquez and other South American authors that write magic realism.
Does your art influence your reading, or your reading influence your art?
Definitely the latter. Reading has been a main source of inspiration for years.
You’ve written two books on creativity… why pop-ups?
“Creativity, the Flowering Tornado” was a pop up book about the overwhelming power of creativity. I felt that adding a 3D element would strengthen the words. The other pop up I wrote, “The Imagination Cycle,” is about the unending, unbounded nature of the imagination. Therefore, the book has no end. When you get to the back cover, you turn it over and it just keeps going.
Do you have favorite books on art or artists that have inspired you or that you turn to often?
“The Encyclopedia of Animals” and “The Grammar of Ornament” by architect Owen Jones. Both books illustrate variety within parameters: the multitude of creatures within the “four legs and a tail” template; variety produced by humans, like all the variations on Greek columns.
What were your most cherished childhood books?
I was devastated when they made “The Lion, the Witch, and the Wardrobe,” by C.S. Lewis, and “Bedknobs and Broomsticks,” by Mary Norton into movies. I considered them my secret books. My magic books.
Have you read a well-reviewed or popular book lately that you felt didn’t live up to the hype?
“Lean In” by Sheryl Sandberg turned out to be a glorified infomercial.
Any book you’ve read that really caught your imagination, inspired you, or changed how you look at the world?
“The Botany of Desire,” by Michael Pollan really stirred up my imagination, particularly the examples of plant and animal gene sharing. It inspired my “Aesthetic Engineering” series by making me wonder about other combinations. I began making sculptures (usually bronze and glass) about genetic combinations I’d like to see…like “The Gene for the Sheen on Folds of Satin.”
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