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    Northwest circus voyeurism

    Michelle Bates captures all things circus and physical performance. Here, a selection from her new show.

    For over 20 years, Michelle Bates has been steeped in the local physical theater scene. She’s been photographing circus performers and their wacky brethren street performers, jugglers and those who commit themselves to solo shows.

    She was the first photographer at The Stranger. She was also one of the first photographers charged with documenting the annual Moisture Festival, the month-long comedy and variety bash that begins again March 20.

    She first started photographing performers on a fluke. A friend asked her to shoot a fundraising benefit and the UMO Ensemble performed. “I was like, ‘You guys are amazing.’”

    “I like working with people who are creating their own work, whether that’s a circus act or a solo show. I like doing this work. You get to meet really interesting people and you get to check out great work. It’s a great world to be in.” 

    A show featuring Bates’ work is now up in the gallery at Seattle’s West of Lenin.

    Here are a few tidbits behind some of her images.                                                         

    Kevin Joyce in “A Pale and Lovely Place” – 1996

    “I stood on a chair in my living room at the time and I stuck a flash on my camera. His character is creepy, so I wanted to capture that. I used a wide-angled lens. I try and go off on what people tell me during the shoot. And then it’s a dance of interpretation."

    Kevin Joyce is still performing with his wife Martha Enson. They have a Vashon Island-based company called EnJoy Productions, which puts on all sorts of events for corporations and non-profits. He's also completing a graduate degree in organizational leadership.






    Mik Kuhlman in her solo show “House #30” – 2013

    “Mik used to live in a beautiful house on Vashon Island that was gutted by a fire. I was with her [right after the fire was put out] and we were walking around this smoking, stinky, soggy house and were able to look around at what was left behind and she said, ‘This is beautiful. Michelle, you should photograph this.’ Which totally blew my mind.

    “In 2000, she put a show together that was about the house, talking about the day of and the day after the fire. She had moved around a lot and this had been the 30th house she had lived in. She performed inside a fabric house and you can see some of my images of what remained of her house on the walls of the fabric."

    Kulhman is currently in New York but will return to the Pacific Northwest later this year. She is developing "House #30" and is hoping to restage it soon.


    Alex Zerbe – 2012

    “He calls himself a zaniac. He’s fun and full of energy. He’s a comedian/juggler/performer. He brought in a mini-trampoline and these scrolls of paper. He’d jump up and throw them out to me. We had to keep doing it until we got one shot that works.

    “He has this rubbery, elastic face. One of the best parts about working with performers is they know what they look like and they know how they want to present themselves.”

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    Posted Wed, Mar 19, 1:49 a.m. Inappropriate

    This was an interesting and enjoyable piece to read on an otherwise dismal news day.


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