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    The Weekend List: The arts and culture guide to Seattle's good life

    Ballard's Jazz Walk, Seattle DIY rock, Carla Korbes' dreamy PNB return and teen slam poetry to make you swoon.

    Ballard Jazz Festival

    Schedulers at most major local music festivals look askance at their own backyard’s rich jazz scene, which is well regarded even outside this region. To help even the score, John Bishop and Matt Jorgensen, keepers of the beat as well as Seattle-based Origin Records, 12 years ago called dibs on the uniquely Seattle neighborhood, Ballard, and jammed it with home-cooked talent.

    At right: John Bishop, drummer and co-founder of the Ballard Jazz Festival, which continues Saturday. Credit: Glenn Nelson

    The Ballard Jazz Festival hosts a Guitar Summit on Thursday, builds to Friday night’s prix fixe, 22-acts-in-11-venues Jazz Walk, and crescendos with a Saturday night international showcase.

    The grand finale opens with piano pyrotechnics from Chano Dominguez, accompanied by fellow Spaniard, Marina Albero, on vibes. Sonny Fortune, the veteran, Philadelphia-born, multi-reedist most often linked to John Coltrane, is the night’s headliner. And in a final nod to the festival’s roots, Fortune will be backed by a stellar rhythm section anchored by two locals, Bishop on drums and Jeff Johnson on bass, plus pianist George Colligan of Portland.

    If you go: Ballard Jazz Festival, Various venues throughout Ballard, Through Saturday, April 19. ($12-$55). — F.D.

    *Night Beats and The Pharmacy

    LoFi, a quintessentially divey Eastlake spot, has put together a stellar local rock lineup this week. Night Beats, now multi-year veterans of the Seattle DIY circuit, started blowing up about two years ago, garnering opening spots at Neumos and sets on the smaller stages of Washington’s summer music festivals. They walk that fine line between pop and hard rock that so many of their local contemporaries (Dude York, Naomi Punk, Grave Babies, etc.) excel at. But main course of the evening is The Pharmacy. These guys have been making music for nearly a decade now, and their manic, sassy brand of keyboard-heavy rock is a consistent crowd-pleaser.


    If you go:  Night Beats and The PharmacyLoFi, Friday, April 18 ($10). 21+. — J.S-H.

    Ernest Shackleton Loves Me

    I count on feisty creative Balagan Theatre to show me a good time because over the years they’ve knocked me out of my seat (Les Miz, Spring Awakening and the incomparable Jinkx Monsoon as Hedwig). So here they are, this time in Seattle Rep’s Leo K. Theater, with a musical about a single mother named Kat and her love affair with explorer Ernest Shackleton. They first connect through Kat’s blog (of course they do, because they’re too old for Tinder) and then he steps out of her refrigerator to whisk her away to Antarctica. It’s a two-person show: Valerie Vigoda not only acts, she plays a whole host of musical instruments; Wade McCollum plays Shackleton and orchestrates juggling five other roles as well. It’s a first-of-its kind collaboration between Balagan, ACT and the Seattle Rep and it’s a world premiere.

    If you go: Ernest Shackleton Loves Me, Seattle Rep, Friday, April 18 - May 3. ($45). — F.D.

    PNB’s A Midsummer’s Night Dream

    The leaps of glee happening in these parts come from local balletomanes celebrating the return of principal dancer Carla Körbes, who’s been recuperating from a knee injury for much of these past 10 months. She might very well be one of the best ballet dancers in the country (as The New York Times has put it). Or, if you'd rather take my word: She's grand! 

    At right: Korbes with company dancers in A Midsummer Night’s Dream, choreographed by George Balanchine © The George Balanchine Trust. Credit: Angela Sterling.

    Körbes was seen swinging and twirling in the air in last month’s aerial ballet Kiss, which was good but kind of a tease for those who like their dancing lyrical, athletic and on the ground. This weekend, she’s back en pointe as the lovely Titania in Balanchine’s A Midsummer’s Night Dream. It’s an enchanting and funny ballet with a Felix Mendelssohn score, spectacular scenery, gorgeous costumes and it’s the only time a swarm of “bugs” will inspire the word Gah! (They’re kids and they’re pretty damn cute). Körbes is scheduled to dance April 17 and 19.

    If you go: A Midsummer’s Night Dream, McCaw Hall, Through Saturday, April 19. ($28-$174). — F.D.

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