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    'The Mikado's' yellowface through the eyes of my Asian daughter

    Guest Opinion: What my adopted daughter's experience performing in "The Mikado" taught me about white guilt, musical theater and cultural appropriation.
    The Seattle Gilbert & Sullivan Society's production of "The Mikado."

    The Seattle Gilbert & Sullivan Society's production of "The Mikado." Photo: Patrick Andre

    I participated in the August 18th community forum on artistic freedom and responsibility at Seattle Repertory Theatre, held in response to the controversy over the Gilbert & Sullivan Society’s production of “The Mikado” (See The Seattle Times' “The Yellowface of The Mikado in Your Face,” by Sharon Pian Chan).

    Moderator Kathy Hsieh invited me to talk about the effects of cultural stereotyping on children. I have two daughters — one who is adopted from China, and one who looks Jewish like me. I talked about the stereotyping my children notice in television and film; how all too often in popular kids’ shows the ultra-competitive Asian-looking character reflects our uneasiness about our standing vis a vis China. I talked about how, in the Disney princess lineup, there is one Asian, one black, one Native American and one Arab representative, but nearly a dozen white princesses, and no Jewish ones at all.

    That night, I couldn’t sleep.

    Given the opportunity to speak from my heart, I had cowardly blamed the makers of mass media — the artists not in the room. Much braver would have been to stand before my friends and colleagues in the Asian American acting community and in the Gilbert & Sullivan Society, and point a way forward – beyond victim and victimizer.

    My 9 year-old Asian daughter Abby’s experience in this summer’s youth production of “The Mikado” at Seattle Public Theater provides one example of what that path can look like.

    I signed Abby up for the production because its contemporary take, set in the world of Japanese manga, seemed right up her alley. For a period, her favorite bedtime music was “HMS Pinafore,” but she’s also thoroughly modern: She has been begging me for months to get a turquoise streak in her hair, which I finally consented to for the production.

    At left: Abby as a schoolgirl in Seattle Public Theater's "The Mikado." Photo: Paul Bestock

    If anything, the “The Mikado’s” pseudo-Asian setting made it more appealing to Abby. (Another favorite bedtime music of hers is Puccini’s “Turandot,” set in a fictionalized China.)

    Her friend Jing-jing, who was also in the show, is an Asian adoptee with a Chinese mother and a Caucasian father. Jing-jing’s mother said she signed her daughter up for the show precisely because “The Mikado” called for Asian parts. 

    SPT’s production, directed by Kelly Kitchens and Barbara Lynne Jamison, neutralized some of the show’s cultural appropriation. Set in imaginary cartoon land, “We are gentlemen of Japan” was changed to “We are citizens of this land.” Yet its manga-styled costuming and set design also paid homage to Japan.

    I prepped my daughter by talking to her about how Gilbert & Sullivan were poking fun at English, not Japanese, society. The setting may be Japanese, but all of the cultural references are British. Abby played a schoolgirl in the show. One day, referring to a lyric in one of her songs, she asked me what “seminary” means. Japanese girls don’t go to seminary. British girls do. Abby sees herself as both American and Chinese, so she has no problem being both English and Japanese (or in this case “Manga-nese”), Victorian and modern.

    Not only is she capable of holding a dual identity, she needs to, so I have learned, in order to feel whole.

    With this in mind, I was particularly concerned when controversy flared up over the Gilbert & Sullivan Society’s adult production of “The Mikado.” My first reaction was to shield my daughter from the uproar. I didn’t want her to feel conflicted about her participation in the show or to have to choose sides.

    I was worried too about what she would think of me. Would she add this to her list of grievances, along with having to take Saturday Mandarin lessons?  I imagined her down the road telling her adult Asian adoptees group, “My clueless white mom signed me up to be in a racist show.”

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    Posted Tue, Aug 26, 8:59 a.m. Inappropriate

    "there is one Asian, one black, one Native American and one Arab representative, but nearly a dozen white princesses, and no Jewish ones at all."

    Last time I checked, "Jewish" wasn't a race.


    Posted Tue, Aug 26, 9:37 a.m. Inappropriate

    On behalf of the British Peerage, I am offended by IOLANTHE. They perpetuate the stereotype of the indolent 1% as doddering idiots.

    If a production of MIKADO is the greatest offense to your personal dignity, then personal dignity is doing pretty good.

    Here's to the Clueless Class given a pedestal to stand on. Yeah! Even Stupid People are People Two!

    Posted Tue, Aug 26, 9:42 a.m. Inappropriate

    Depending on your definition of "race," neither is "Arab." But they are certainly both ethnic groups. "Asian," of course, covering at least third of humanity, contains multiple races and countless ethnic groups. "Black" and "Native American" aren't monolithic, either.

    That aside, thanks to the author for the piece. I do think those of us such as myself (father Jewish, mother Korean) and her daughter sometimes have a different perspective on these matters. I see people's concerns about yellowface in The Mikado, but it never bothered me personally precisely because the target wasn't the Japanese. Would a production set in a shtetl featuring yarmulkes and fake big noses bother me? The noses would. (Makes me think of Oliver Twist.) The yarmulkes? Depends. If the production were set in Chelm but meant to represent something else and it made sense at the time the work was written, I'm not so sure.

    Anyway, to tie everything up and bring the subjects of the Japanese and the Jews together, I highly recommend watching this Japanese version of "Fiddler on the Roof" :) https://www.youtube.com/watch?v=eGoRo-nPLOM

    And, to bring the Japanese and the Jews together, I'll leav

    Posted Tue, Aug 26, 10:59 a.m. Inappropriate

    Yum-Yum bad, Jing-Jing good?


    Posted Tue, Aug 26, 1:41 p.m. Inappropriate

    Let me get this straight. ff something was written decades or hundreds of years ago and does not reflect modern sensibilities, it must be bowdlerized for political correctness.

    There goes everything from Chaucer to Mark Twain. May the Schwartz be with anyone who quotes from Sun Tzu's " The Art of War", or von Clausewitz's "Vom Kriege" ("About War").

    I chose to live in the Seattle area decades ago, to get away from the stereotypes of "lazy Indians" and "dirty Mexicans" in Central WA. (Or was it the other way around?). It's time to go back across the Cascades, and get some acreage where I can continue to teach the grandkids about firearms without hassle.

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