Keeping artists in the city: Are we there yet?
Seattle has developed a report out of lengthy discussions about providing work spaces for artists. But a lot is left to the artists themselves.
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Seattle has developed a report out of lengthy discussions about providing work spaces for artists. But a lot is left to the artists themselves.
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For 40 years, McCafferty has executed SAM's installations, becoming a recognized master of the subtle art of designing exhibits.
READ MORE | 2 COMMENTSPacific MusicWorks presents an early rarity, featuring a remarkable cast of four ravishing singers. One performance remains this Saturday night.
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With little traditional dancing and no narrative, tEEth's 'Make/Believe' leaves its audience with a viscerally compelling look at human communication.
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George Bernard Shaw's 'Pygmalion' premieres at Seattle Shakespeare, proving there's more to great theatre than a catchy show tune.
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With a history of too-expensive arts space, Seattle's artists, developers and government are seizing the opportunity created by the recession to rethink and revitalize the city's arts space policy.
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The Pacific Science Center prepares for a major King Tut show this spring. It's the third time for Tut in Seattle, and it might be the last exhibit outside of Egypt for the foreseeable future.
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"El Pasado es un animal grotesco," a new play at On the Boards, follows the story of two Argentinean couples, but language barriers foul up the emotion in their uninteresting lives.
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In an ironic match, SAM's curators pair Paul Gauguin's paintings with the virgin Polynesian culture he so unendingly and unsuccessfully sought.
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Updated: The 'Tateuchi Truce' over the Sound Transit wars on the Eastside made clear what a catalyst for an urbanized Eastside this long-aborning cultural center has become.
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The Seattle Shakespeare Company explores the toxic political after-effects of war in a powerful staging of this shockingly cynicial, devastatingly relevant tragedy.
READ MORE | 1 COMMENTSAfter laying out its plan for a financial and artistic makeover last month, the Intiman Theatre released a new (and quickly approaching) deadline for its funding appeal this week. But can the theatre's last-ditch effort reinvigorate weary patrons and already-burdened philanthropists?
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Mayor McGinn officially cut the ribbon last week on Seattle's Downtown Historic Theater District. Is it just another tourism-driving label or will the district actually benefit from the sum of its parts?
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Crosscut has learned of three striking proposals that would immediately draw more world attention to Seattle, enriching its brand.
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The Fifth Avenue pulls out the stops for Rodgers and Hammerstein with a lavish staging, beautifully modulated performances, and unforgettable stepsisters.
READ MORE | 1 COMMENTSThe latest from news outlets and blogs around the Northwest and beyond, chosen by Crosscut editors.