ACT's Noel Coward show: joyful and unrestrained
It would be easy to miss the mark with this revue, but ACT's production, with the extra spice of alarmingly good actors, makes A Marvelous Party marvelous to behold.
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It would be easy to miss the mark with this revue, but ACT's production, with the extra spice of alarmingly good actors, makes A Marvelous Party marvelous to behold.
READ MORE | COMMENT NOWI went to the Fremont Solstice parade June 21 for the first time in many, many years and saw the famed nekkid bike riders. But I have a few questions about the etiquette of public pagan nudity in Seattle, so weigh in if you have an opinion.
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The building designed by the acclaimed Japanese architect would be donated by an Eastside arts patron, Barney Ebsworth. A site has been found, but it will take an economic recovery to fund it. Seattle tried but failed to land the prize.
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A new book collects scientific, personal, and poetic responses to Mount St. Helens, 28 years after its eruption.
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A non-juried photography show at Art/Not Terminal hits mainly high notes, even when some of the work isn't as polished as what you might find elsewhere in Seattle. The gallery succeeds at giving developing artists and pros alike a community and exhibit space.
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Darius Kinsey began photographing the Pacific Northwest in 1896. Much of what he captured no longer exists, but his photographs, now on view at the Whatcom Museum of History and Art, tell the story.
READ MORE | COMMENT NOWFirst, orchids: To Barlett Sher, Intiman artistic director, who won a Tony Award Sunday of his direction of the New York Lincoln Center revival of the 1950s Rogers-Hammerstein musical, "South Pacific." The revival won six additional Tonys.
READ MORE | COMMENT NOWWe like to think of creativity as a mysterious, indeterminate quality that resists being measured. But it's also a potent economic reality, as the National Endowment for the Arts emphasizes — through the drama of statistics — in a comprehensive new report [PDF]. Released yesterday, Artists in the Workforce: 1990-2005 synthesizes data from the last two U.S. censuses as well as the American Community Survey to give a statistical portrait of the artist in our society — the first such report the NEA has published in the 21st century.
READ MORE | COMMENT NOWPlace your bets: Oregon Democrat Jeff Merkley is "something close to an even-money bet" against Sen. Gordon Smith, R-Ore. ...
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Geez, a guy tries to get in touch with a chick flick, and what does he get?
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Andrew Weems stars in Namaste Man, directed by Bart Sher, a fascinating one-man play that shuttles between boyhood memories and Eastern wisdom, New York and Nepal.
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The handsome new space is a striking work of architecture, and the exhibits make up a "meta-museum," continually asking questions about how a museum should relate to its community.
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Droll send-ups and Bernstein-scored brio recall the exuberant, formative years of American ballet.
READ MORE | COMMENT NOWFor Northwest history geeks, the most anticipated film event of the season is a rare chance to see a rare film, the just-restored 1914 silent, In the Land of the Head Hunters by Seattle's photographic master Edward S. Curtis. Known most for his monumental work photographing North American Indians, Curtis is mainly remembered and widely collected as a still photographer. Yet he also worked in film (including a stint for Cecil B. DeMille) during cinema's infancy. The "shadowcatcher" caught moving pictures, and his feature will be on screen again in June.
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Our summer intern learns that the best part of Folklife isn't to be found in the festival schedule — but in her fellow Seattleites, who put on quite a show of their own.
READ MORE | COMMENT NOWThe latest from news outlets and blogs around the Northwest and beyond, chosen by Crosscut editors.
Every station on the Red Line has stunning public art.
Can you describe your mother in just six words?
Ezra Dickinson's mother is mentally ill and formerly homeless. His new interactive performance takes audience members on a memory-laden tour through the streets of downtown.
The appearance comes as the orchestra plays a program originally created by the Oregon Symphony, which suddenly pulled out of a Carnegie tour.
A single teacher is helping young people from the town of Helix get head starts as documentary filmmakers.
Osmo Vanska says if the lockout is not settled by September, he'll quit. The orchestra, locked in a labor battle, hasn't played all this season.