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A city of scolds
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Greg Nickels' rebel yell
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As long as we're beating up on the mayor today ...
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Washington's million-dollar university president
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Mods versus snobs
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It's not over until Hillary Clinton's cash runs out
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The city's own series of tubes
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Responding to her readers: Carolyn McConnell on paid family leave
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Seattle is a ghost town for ghost bikes?
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Parlez-vous a software language?
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Four who are scene-shifting classical musicians talk about why they came to Portland, and why "a big small town" can be a more promising place than bigger Seattle for an art-music revolution.
KO & Co., a dance troupe, and Portland Vocal Consort strut their stuff in a city that is spawning many new companies. The performances, however, left our critic feeling a little stranded.
The opera whiffs on a Handel production, while the symphony struts its stuff in a John Adams' piece. The pair of performances raises an interesting question of how "regional" factors come into play.
A wide range of companies is taking chances in repertoire and bold approaches. It's paying off in some indelible performances and young audiences. Here's a survey of the past year's highlights.
Globe-trotting dance producers Paul King and Walter Jaffe bring innovation, class, and community to the Rose City's now-flourishing dance scene.
An earlier article on the OSO generated lots of comment, and the plea for some positive suggestions. The author responds.
It will take more than an endorsement from Portland's reigning pop music star, Thomas Lauderdale of Pink Martini. The orchestra lost its charismatic conductor and now is losing audience and supporters, even as it's playing better than ever.
The energetic city commissioner minces no words about how important the arts should be and how unsustainable the current method of funding has become. He spells out plans for Stumptown in this Crosscut interview.
The 11-day Time Based Art Festival was exhausting as usual but, event for event, not as consistently inspiring as last year's.
Reports from the 10-day avante-garde extravaganza, sponsored by the Portland Institute for Contemporary Art and which runs through Sept. 16.
The Time-Based Art Festival, put on by the Portland Institute for Contemporary Art, is an avant-garde extravaganza that annually places Oregon on the world stage. Here's how TBA grew in just five years, and who's performing through Sept. 16 — a mix of international and Northwest talent.