King Tut exhibit in Seattle: The boy king stops by again
It's the final showing in North America before the boy king flies back to Egypt.
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It's the final showing in North America before the boy king flies back to Egypt.
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Crosscut's guide to a culturally enriching weekend in the city. Or at least some fun.
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Crosscut's guide to a culturally enriching weekend in the city. Or at least some fun.
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Village Theatre's production of 'The Producers' is spot-on, thanks to fabulous actors and Mel Brooks' unflinching genius.
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Caffeinated News & Gossip featuring: More bad news for the tunnel; Democratic campaign expenditures; city hall departures; Jay Inslee at NARAL luncheon; and more.
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Acoustic sculptor and contemporary composer Trimpin's new work on memory and bearing witness, "The Gurs Zyklus," defies all categorization.
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Dutch dance company Introdans makes a gorgeous debut at UW's Meany Hall. If only they'd gone with more choreographed works.
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Crosscut's guide to a culturally enriching weekend in the city. Or at least some fun.
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Seattle has developed a report out of lengthy discussions about providing work spaces for artists. But a lot is left to the artists themselves.
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Seattle Opera's simulcast of 'Madama Butterfly' in HD at Key Arena is a study in contrasts. Albeit a rather successful one.
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Frank Ferrante's one-man-show, 'An Evening with Groucho,' is far more than a tribute to the famous brother.
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The Pitmen Painters, ACT Theatre's latest play about a group of British miners turned famed artists, raises questions about art, culture, and class.
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In the face of screen fatigue, a new generation of Vancouver creative types are converting to face-to-face meetings.
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For Fifth Avenue Theatre's Damn Yankees, it's the acting and the musical numbers that carry a rather hum-drum story.
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The American Gauguin is on display through the weekend at a downtown Seattle gallery space. His chosen medium? Black velvet.
READ MORE | 2 COMMENTSThe latest from news outlets and blogs around the Northwest and beyond, chosen by Crosscut editors.
A lot of the exhibits resemble earlier displays in Tacoma, where work by the glass-master can be seen for free. The Chihuly showroom opened Sunday at Seattle Center.
What really conveys approval is the sitting ovation. May it come back.
A new study finds a fascinating correlation between weight control and culturally enriching but sedentary activities.
The News Tribune reports, "The University of Washington Tacoma now has an original Picasso drawing hanging in its library, courtesy of Tacoma peace activist The Rev. Bill 'Bix' Bichsel." (A Jesuit priest, no less.)
The key loss is the connection between a live audience and the singers. Clap in the movie theatre and no one hears you on stage.
He does marvelous, if infrequent work in Seattle. His new post is in Western Australia.
Peter Plagens, the Journal's gallery critic, enthuses over the Portland art scene's venturesomeness, "residual roughness and collective spirit," and "plethora of 'alternative spaces,' such as a decommissioned crab boat and renovated neighborhood storefront. But he diagnoses "a schizophrenia" in artists who try to both play and scorn "the art game as it's contested in New York and Miami."
In the process, it may signal the end of contemporary art.