Intiman's new Craig Lucas play: blighted lives and hidden truths Daniel Zaitchik, left, plays Billy and James McMenamin is Tad in the Intiman production of Craig Lucas' <I>Prayer for My Enemy</I> by Ben Rankin / August 13, 2007
Doing Shakespeare proud at the Seattle Rep Christine Marie Brown as Viola and Barzin Akhavan as Orsinio in Shakespeare's <i>Twelfe Night</i> at the Seattle Rep. (Chris Bennion) by Ben Rankin / September 27, 2007
Culture Black Arts Legacies: Community and art collide Zoë Dusanne & Elisheba Johnson, two curators separated by decades, turn homes into galleries to support artists. by Tifa Tomb / July 1, 2022
Culture Black Arts Legacies: The Reach of Dance For dancer-choreographers Donald Byrd and Jade Solomon Curtis, social engagement takes center stage. by Tifa Tomb / June 24, 2022
Culture Black Arts Legacies: Defining theater, past and future Douglas Q. Barnett and Sharon Nyree Williams, the driving forces behind Black Arts/West and CD Forum, share a mission to tell Black stories in the theater. by Tifa Tomb / June 10, 2022
Culture Black Arts Legacies: Shaping the Seattle sound Seattle music pioneer Dave Lewis defined Northwest rock. Now, The Black Tones are helping him carry the legacy forward. by Tifa Tomb / June 17, 2022
Culture Black Arts Legacies: Visual Arts and Vibrancy Two artists honor the history of Black art in Seattle while helping to reimagine the city. by Tifa Tomb / June 3, 2022
Culture ACT's Noel Coward show: joyful and unrestrained Anna Lauris in ACT's <i>A Marvelous Party</i>. (Chris Bennion) by Ben Rankin / June 24, 2008
Culture A chamber Julius Caesar set in feudal Japan Seattle Shakespeare Company mounts a vigorous, mostly successful version of a good play for this political season. by Ben Rankin / January 18, 2008
Shakespeare's 'Two Gentlemen,' but with tanning lotion and texting Russ as Crab and Chris Ensweiler as Lance in 'Gentlemen' by Ben Rankin / March 26, 2010