Culture Black Arts Legacies: The Negro Repertory Company’s lasting legacy Bursting with Black talent and fueled by WPA funding, this Depression-era theater troupe lit up Seattle stages with ambitious productions and huge casts. by Jasmine Mahmoud / June 27, 2023
Culture Black Arts Legacies | Tina Bell: Forgotten forerunner of Seattle grunge A pivotal figure in Seattle’s proto-grunge scene, the Bam Bam singer has been long-overlooked. Now, rock history is being rewritten. by Jasmine Mahmoud / June 1, 2022
Culture Kevin Kling: a master monologist at the Rep Kevin Kling and Simone Perrin in <i>How? How? Why? Why? Why?</i>, now playing at the Seattle Rep. (Chris Bennion) by Tom Keogh / March 26, 2008
Culture The Rep updates Moliere with TV comedy riffs A scene from <i>Imaginary Invalid</i>, now playing at Seattle Repertory Theater. (Chris Bennion) by Tom Keogh / March 5, 2008
The life of a clown doctor The White Clown from <i>Corteo</i>, playing in Seattle through June 1. (Richard Termine) by Arne Zaslove / May 25, 2008
Behind the scenes at the Big Top The Clowness, The Little Clown, and The Giant Clown in <i>Corteo</i>, playing in Seattle through June 1. (Marie-Reine Mattera, Cirque du Soleil, Inc.) by Arne Zaslove / May 24, 2008
Tech They shoot mid-sized theaters around these parts Seattle Repertory Theatre. by Arne Zaslove / May 2, 2007
A charming rarity, a Baroque puppet opera The mermaid and the princess in <i>The Liberation of Ruggiero from the Island of Alcina</i>. by Arne Zaslove / April 21, 2007
Culture The Pike Place Market as cultural refuge The Pike Place Market in Seattle, where commerce is culture. At right, Jonny Hahn performs. (Chuck Taylor) by Arne Zaslove / December 31, 2007
The African American Film Festival is a fine example of community-based exhibition African American Film Festival flyer. by Tom Keogh / April 15, 2008