Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Equity Mayor's budget reflects that Seattle is not a kid's place A child at the 2007 Seattle Folklife Festival: How much does the city really pay attention to children at Seattle Center or elsewhere? by Reuven Carlyle / September 29, 2010
Politics A one-way ticket to life-changing opportunity State Rep. Reuven Carlyle by Reuven Carlyle / September 6, 2010
Mind sex and 'Tristan' Conductor Asher Fisch and General Director Speight Jenkins. by Fred Hauptman / August 3, 2010
Let's get real: The arena will kill KeyArena Architect Paul Thiry, a proponent of modernism, designed the original Seattle Center Coliseum, now called KeyArena: This is structure as sculpture. by Reuven Carlyle / September 13, 2012
Chaos and twilight: Seattle Opera's Ring, part 2 Stig Andersen as Siegfried and Dennis Petersen as Mime by Fred Hauptman / August 15, 2009
Seattle Opera's Ring: What's it trying to say? Stephanie Blythe and Greer Grimsley by Fred Hauptman / August 11, 2009
Politics Let's seize 'the opportunity of this crisis' Rep. Reuven Carlyle values Crosscut's "prolific, original, on-the-ground reporting." by Reuven Carlyle / July 5, 2009
Politics Amgen: A lesson in state's tax break policy Amgen's Seattle campus was on the waterfront beyond the Amgen Helix Bridge over BNSF tracks. When the City of Seattle agreed to build an overpass for traffic to have access to the campus, the company... by Reuven Carlyle / August 23, 2014