Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion Tribal nations in WA helped prove police accountability is possible Alongside other communities of color, we worked to pass a law making it easier to prosecute violent police officers. by Fawn Sharp & James Rideout & Matthew Randazzo V / June 1, 2020
Opinion What Biden's win means: Truth and reconciliation As the Biden-Harris administration prepares to take power, Crosscut asked six opinion writers to share early thoughts on what comes next. by Fawn Sharp & Matthew Randazzo V / November 9, 2020
Opinion In shadow of #MeToo: the coming reckoning on consent and climate change Tribes across Washington state are standing up for their right to say 'No' to trespassing governments and corporations. by Fawn Sharp & Matthew Randazzo V / April 30, 2019
Mind sex and 'Tristan' Conductor Asher Fisch and General Director Speight Jenkins. by Fred Hauptman / August 3, 2010
Chaos and twilight: Seattle Opera's Ring, part 2 Stig Andersen as Siegfried and Dennis Petersen as Mime by Fred Hauptman / August 15, 2009
Seattle Opera's Ring: What's it trying to say? Stephanie Blythe and Greer Grimsley by Fred Hauptman / August 11, 2009
Environment What the heck's a climate hub? Corvallis, Oregon is now home to the federal government's Northwest regional climate hub. Why it matters. by Anna Goren / April 3, 2014
Politics Seattle's biggest food desert needs jobs more than grocery stores Delridge is the definition of a food desert, but a solution will be more complicated than just adding a few Safeways. by Anna Goren / March 17, 2014