Seattle reaps creativity by playing in the gray

Marijuana legalization is the type of rough-edged venture that helps shape the region's identity.
Crosscut archive image.

Houseboats, now emblematic of Seattle, once operated in a kind of gray area.

Marijuana legalization is the type of rough-edged venture that helps shape the region's identity.

The gray skies here tend to be tied to the seasons; the gray areas are with us year-round. Seattle is a tidy city for the most part, without the huge slums and decay of some older cities. But for all our Scando-Asian embrace of neatness, it is not so much our sense of order that defines us but rather along our messy edges, where creativity flourishes, trends are set and necessity becomes the mother of invention.

The state’s legalization of marijuana is an excellent example. As the city and state wrestle with how to implement rules for growing and selling weed, these activities are still a federal crime. Washington voters have, in effect, turned Washington into an outlaw state. Even if history proves that pot legalization is the future, we are for now out in front, blazing smoky trails.

Another activity that has gotten a lot of attention recently is the proliferation of renegade ride-sharing services, such as Uber, Sidecar and the pink-mustachioed Lyft. Made possible by smartphone apps, these popular and growing upstarts serve a real purpose: giving people an alternative to car ownership. So far in Seattle, they are unlicensed and unregulated, unlike the taxi and limo services that are now crying foul. Looking the other way on the regulatory niceties, especially in the beginning, can help incubate creative solutions that meet real needs, like getting around the city more sustainably and economically. The question on regulation is not so much whether to regulate but when. You don’t want to strangle the infant in the cradle. Or, maybe you do if you’re a cab company.

And then there is the question of what to do about Nickelsvilles, the homeless encampments that have provided refuge for those who can’t find room or won’t stay in shelters. Nickelsvilles are not a permanent solution, but they are partially self-regulated communities that answer real needs. Surely it will be a long transition to “end homelessness,” and tent cities seem like a valuable tool in the interim. Surely they keep at least some people out of the greenbelts and shop doorways. Even as Seattle’s economy recovers, more systemic failures (affordable housing supply, mental health treatment) aren’t going to be solved overnight. There has to be room somewhere in the mix for improvised, self-built solutions.

Illegal shanties and shacks have always been a part of Seattle urban landscape. In the 19th century, the city’s urban Native Americans often squatted, sometimes illegally, on the margins of the city that they had occupied for generations. During the Great Depression, there was a large “Hooverville” in SoDo for the down and out. An exhibit at the Museum of History & Industry, “Still Afloat: Seattle’s Floating Homes” (through Nov. 3) documents the history of Seattle’s much beloved houseboats, which evolved from low-income, self-made housing for timber and mill workers, who built shelters on floating logs near where they worked, in places like Lake Union. Others were crafted in the early 1900s as floating vacation cabins at Leschi and Madison Park. 

Today, houseboats are fewer in number and highly regulated. The rules governing them evolved over the years, and the rights of owners are still strongly defended by the nonprofit Floating Homes Association. Once considered floating slums, they are now mostly the preserve of the well-to-do and, as "Sleepless in Seattle" showed 20 years ago, an indelible part of the city’s image.

“Still Afloat” is a reminder that what was once on the fringe can become mainstream, an essential part of the city’s unique livability. In other words, we can benefit by being open to experiments. When it comes to ride-shares, pot and other experiments, we ought to have tolerance for the gray before trying to control everything with the black and white of law.

A version of this story first appeared in the September issue of Seattle Magazine.


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About the Authors & Contributors

Knute Berger

Knute Berger

Knute “Mossback” Berger is Crosscut's Editor-at-Large.