Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion Why Seattle needs more history in its politics, and more politics in its art Chicago, a city deeply attuned to its cultural and political history, offers lessons for our arts institutions and our politicians. by Dujie Tahat / November 22, 2019
Opinion The problem with Seattle's progressive chattering class Political advocacy organizations could learn from our city’s long tradition of organizing and occupation. by Dujie Tahat / December 30, 2020
Opinion System failure: Seattle isn't dying and poverty isn't a crime A recent report on misdemeanors continues a toxic narrative in local politics. by Dujie Tahat / October 10, 2019 / Updated at 5:07 pm October 15, 2019
Mind sex and 'Tristan' Conductor Asher Fisch and General Director Speight Jenkins. by Fred Hauptman / August 3, 2010
Chaos and twilight: Seattle Opera's Ring, part 2 Stig Andersen as Siegfried and Dennis Petersen as Mime by Fred Hauptman / August 15, 2009
Seattle Opera's Ring: What's it trying to say? Stephanie Blythe and Greer Grimsley by Fred Hauptman / August 11, 2009
Environment LEED-ing the way to sustainability Seattle Central Public Library, Wikimedia Commons, user Moody75. by Louisa Gaylord / August 17, 2008
Politics Despite small wins, Sawant sees city budget falling short as a 'moral' document Kshama Sawant by Bill Lucia / November 15, 2014