Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion It's time to make our transportation system less efficient The latest deaths on Aurora Avenue should have Seattle thinking differently about car culture. by Anna Zivarts / December 4, 2019
Opinion Washington's car-dependent transportation system has failed us In the state's next budget, lawmakers should invest in projects that help us walk, roll, and bike — not drive. by Anna Zivarts / March 3, 2020
Opinion People with disabilities need to get around. Seattle needs to make it easier City Hall has an opportunity to make the city more livable for all of us — and to fight climate change along the way. by Anna Zivarts / August 28, 2019
Mind sex and 'Tristan' Conductor Asher Fisch and General Director Speight Jenkins. by Fred Hauptman / August 3, 2010
Chaos and twilight: Seattle Opera's Ring, part 2 Stig Andersen as Siegfried and Dennis Petersen as Mime by Fred Hauptman / August 15, 2009
Seattle Opera's Ring: What's it trying to say? Stephanie Blythe and Greer Grimsley by Fred Hauptman / August 11, 2009
Politics Israel-Palestine fight draws conflicted lines in Seattle Jewish Voice for Peace protests Boeing's supplying of weapons to Israel, but is the group representative of any significant local change? by Jessica Buxbaum / August 3, 2014
Equity Across borders, foster care youth ask: What's missing? IFCA at the International Foster Care Organization world conference in Osaka, Japan last September doing a workshop on tranistioning out of foster care by Jessica Buxbaum / July 13, 2014