Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion Why Seattle needs more history in its politics, and more politics in its art Chicago, a city deeply attuned to its cultural and political history, offers lessons for our arts institutions and our politicians. by Dujie Tahat / November 22, 2019
Opinion The problem with Seattle's progressive chattering class Political advocacy organizations could learn from our city’s long tradition of organizing and occupation. by Dujie Tahat / December 30, 2020
Opinion System failure: Seattle isn't dying and poverty isn't a crime A recent report on misdemeanors continues a toxic narrative in local politics. by Dujie Tahat / October 10, 2019 / Updated at 5:07 pm October 15, 2019
Mind sex and 'Tristan' Conductor Asher Fisch and General Director Speight Jenkins. by Fred Hauptman / August 3, 2010
Chaos and twilight: Seattle Opera's Ring, part 2 Stig Andersen as Siegfried and Dennis Petersen as Mime by Fred Hauptman / August 15, 2009
Seattle Opera's Ring: What's it trying to say? Stephanie Blythe and Greer Grimsley by Fred Hauptman / August 11, 2009
The good old days Gunter Herbig. (Terry Harrison Artists Management) by Fred Hauptman / April 19, 2008
Lawrence Brownlee shines in Seattle Opera's Puritani Lawrence Brownlee (Arturo) in <i>I Puritani</i>. (Rozarii Lynch) by Fred Hauptman / May 4, 2008