Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Politics Grocery workers accuse QFC of closing stores as union retaliation The company blames increased labor costs from Seattle’s hazard pay ordinance for forcing the closure of two stores. by Peter Johnson / April 12, 2021
Culture U-District bar closes doors and salutes the future: microhousing Photos shared on Knarr Shipwreck Lounge's Facebook page during the day after the bar closed. by Peter Johnson / March 19, 2017
Culture Seattle music clubs say reopening is still months away Vaccination rates are rising and some restrictions have been eased in Phase 3, but club operators say they’re not ready to rock again just yet. by Peter Johnson / May 26, 2021
Let's get real: The arena will kill KeyArena Architect Paul Thiry, a proponent of modernism, designed the original Seattle Center Coliseum, now called KeyArena: This is structure as sculpture. by Reuven Carlyle / September 13, 2012
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Lawrence Brownlee shines in Seattle Opera's Puritani Lawrence Brownlee (Arturo) in <i>I Puritani</i>. (Rozarii Lynch) by Fred Hauptman / May 4, 2008
The good old days Gunter Herbig. (Terry Harrison Artists Management) by Fred Hauptman / April 19, 2008
Politics You want a truly transparent state budget? Rep. Reuven Carlyle values Crosscut's "prolific, original, on-the-ground reporting." by Reuven Carlyle / April 9, 2014
Sports memorabilia: Does it pay to mix nostalgia and investing? For sports fans, the past can be tangible. But profitability can be harder to grasp. by Stephen Smith / October 8, 2013