Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion A diary of death and disdain in the time of coronavirus A Seattle professor ponders lessons learned by the spread of a virus — and of misinformation. by Johnny Horton / April 1, 2020
Opinion Seattle international students caught between Trump and COVID-19 A Seattle Central College professor argues that the pandemic and an America First presidency threaten a great American institution. by Johnny Horton / August 12, 2020
Opinion A Seattle professor on helping veterans find home in the humanities No other classroom has shown me the kind of community I've encountered teaching veterans classical literature. by Johnny Horton / November 11, 2020
Five new Seattle creative spaces to watch Seattle's real estate bust has birthed a new brand of interdisciplinary creative spaces where more traditional tenants once were. Writer Bond Huberman profiles five of the city's new art havens. by Bond Huberman / July 28, 2011
An 'Aladdin' that spoofs its own magic Adam Jacobs plays Aladdin at the 5th Ave. by Bond Huberman / July 26, 2011
Artists give old houses a uniquely interactive last stand An exciting temporary exhibit from local experimental group MadArt teaches us how artists experience living spaces differently. by Bond Huberman / July 20, 2011
Crosscut's online journalism has print's caliber Why a newspaper person is now a Crosscut reader, supporter, and occasional writer. by Joann Byrd / September 26, 2010
Politics UW's freshmen all must read (gasp!) poetry The University of Washington by Joann Byrd / September 21, 2010