Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion 3 things local leaders must do to protect workers during coronavirus The measures already taken are commendable, but there are serious gaps in our COVID-19 emergency response. by Lisa Daugaard / March 13, 2020
Opinion Saving Washington: The case for doubling wages of frontline care workers In 300 words, community leaders offer ideas to soften the economic blow caused by coronavirus. by Lisa Daugaard / April 6, 2020
Opinion Let’s make sure Orcas get what they need from us While we wait on the governor and Legislature for state action, local governments can also help. by Jeanne Kohl-Welles / December 12, 2018
Opinion One inquest reform that should happen now King County should provide legal counsel for the families of those who were killed by police. by Lisa Daugaard / January 10, 2018
Mind sex and 'Tristan' Conductor Asher Fisch and General Director Speight Jenkins. by Fred Hauptman / August 3, 2010
Politics In the Senate, Dream Act remains the stuff of dreams Guest Opinion: Despite his claims of bipartisanship, Sen. Rodney Tom is blocking a bill with wide bipartisan support. by Jeanne Kohl-Welles / April 29, 2013
Politics Should Washington pay schools more for better results? A scene from the University of Washington campus by Jeanne Kohl-Welles / February 28, 2013
Chaos and twilight: Seattle Opera's Ring, part 2 Stig Andersen as Siegfried and Dennis Petersen as Mime by Fred Hauptman / August 15, 2009