Renee Fleming and the Seattle Symphony: Viva la Diva Soprano Renee Fleming. (Decca Classics) by Thomas May / May 18, 2007
Seattle Opera's deft Bohemian rhapsody Rodolfo (Rosario La Spina) takes Mimì (Nuccia Focile) to the Latin Quarter in Seattle Opera's production of <i>La Bohème</i>. (Rozarii Lynch) by Thomas May / May 6, 2007
Equity Support for this article is provided by CAIR Washington. Refuge After War: Lasting lessons from Vietnam Crosscut Origins director Thanh Tan offers her final thoughts on the series as the world grapples with what's next for the Afghan diaspora. by Thanh Tan / April 1, 2023
Equity Support for this article is provided by CAIR Washington. Refuge After War: In Seattle, Afghan women bond through cooking At Project Feast, recently resettled female refugees navigate the challenges of living in a new country. by Thanh Tan / March 25, 2023
Equity Support for this article is provided by CAIR Washington. Refuge After War: Vietnamese refugees aid displaced Afghans Sponsor Circles are empowering private citizens across the U.S. to provide resettlement support. by Thanh Tan / March 18, 2023
Equity Support for this article is provided by CAIR Washington. Refuge After War: The cost of allyship for some foreign veterans Crosscut Origins shines a light on the Vietnamese and Afghan soldiers who fought alongside the U.S. — and what happens to them once forces leave. by Thanh Tan / March 11, 2023
Equity Support for this article is provided by CAIR Washington. Refuge After War: Vietnamese and Afghan refugees take similar paths Director Thanh Tan details the personal journey that inspired the first season of Crosscut Origins. by Thanh Tan / March 4, 2023
Wrapping up the Central Europe Music Festival The Seattle Symphony Orchestra should take more such risks. by Thomas May / June 14, 2007
Seattle Symphony opens the doors on Bartok's elusive opera The rarely staged Bluebeard's Castle is given a compelling performance as part of the symphony's Central Europe Music Festival. A work of fascinating symbolic power, Bartok's sole opera was enriched... by Thomas May / June 5, 2007
Eschenbach's unhappy Philly Orchestra: blazing and brilliant Philadelphia Orchestra conductor Christoph Eschenbach. (Chris Lee) by Thomas May / May 30, 2007