Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion 'Growing fond of the gloom': How Seattle became home Everywhere I went in 2019, I found myself missing a piece of the city. by Samantha Allen / December 25, 2019
Opinion What does a transplant owe to Seattle? I couldn't do everything to become an ethical citizen of my new home, but I could do something. by Samantha Allen / February 17, 2020
Opinion Pride is more than a parade In these pandemic times, let's remember that Pride Month is about the resilience, creativity and beauty of the LGBTQ community. by Samantha Allen / May 26, 2020
Opinion Juneteenth: The next wave of emancipation Seattleites reflect on freedom, resistance and joy to honor the day liberation from slavery finally arrived, over two years after Emancipation. by Reagan Jackson / June 19, 2020
Opinion The Supreme Court rules there is no un-queering America Today's decision in favor of LGBTQ employment protections confirms that being pro-LGBTQ is the American way. by Samantha Allen / June 15, 2020
Culture Black Arts Legacies: Lamentation and revelation in Porter Ray's hip hop The Seattle rapper keeps memories of the Central District alive with vivid lyrics and a jazz sensibility. by Kemi Adeyemi / August 11, 2022
Culture Black Arts Legacies: Barbara Earl Thomas cuts her own path The longtime Seattle artist creates presence through absence with meticulous skill and a communal approach to her work. by Kemi Adeyemi / July 21, 2022
Culture Black Arts Legacies: Architecture reflecting Black culture One of the few Black women in her field, Seattle architect Laurie Allison Wilson is working to build projects that honor the diversity of Black life in the city. by Kemi Adeyemi / July 14, 2022