Inside Crosscut Impact Report | 2023 was a year of experiments, change From new podcasts to expanded political coverage, Crosscut pursued a multitude of projects in the past year. by Madeline Happold & Martina Pansze & Syd Gladu / December 20, 2023
Culture 4 unconventional Pacific Northwest-inspired Thanksgiving recipes Alongside the turkey and mashed potatoes, make some room on your plate for foods that are indigenous to the region. by Nimra Ahmad & Syd Gladu & Madeline Happold & Martina Pansze / November 22, 2023
Intiman's new Craig Lucas play: blighted lives and hidden truths Daniel Zaitchik, left, plays Billy and James McMenamin is Tad in the Intiman production of Craig Lucas' <I>Prayer for My Enemy</I> by Ben Rankin / August 13, 2007
Doing Shakespeare proud at the Seattle Rep Christine Marie Brown as Viola and Barzin Akhavan as Orsinio in Shakespeare's <i>Twelfe Night</i> at the Seattle Rep. (Chris Bennion) by Ben Rankin / September 27, 2007
Inside Crosscut Help Crosscut redesign our Weekly newsletter What do you want to see in your inbox each Sunday? Let us know. by Martina Pansze / August 23, 2022
Inside Crosscut Savor Crosscut’s new food podcast, Your Last Meal with Rachel Belle The James Beard-nominated show digs into the chosen last dish of guests including Greta Gerwig, Antoni Porowski, Jewel and Bill Nye. by Martina Pansze & Rachel Belle / August 3, 2023
Opinion Background checks give false sense of security at airports We would be better off reducing our emphasis on someone's past and looking to broader security concepts that operate more fairly. by Jacqueline B. Helfgott / August 16, 2018
Opinion Seattle survey wants to know: How do you feel about public safety? To address the polarizing issue of crime and public safety, the Seattle Public Safety Survey needs your participation. by Jacqueline B. Helfgott & William S. Parkin / October 19, 2021
Culture ACT's Noel Coward show: joyful and unrestrained Anna Lauris in ACT's <i>A Marvelous Party</i>. (Chris Bennion) by Ben Rankin / June 24, 2008
Culture A chamber Julius Caesar set in feudal Japan Seattle Shakespeare Company mounts a vigorous, mostly successful version of a good play for this political season. by Ben Rankin / January 18, 2008