Culture Black Arts Legacies: Nate Long's fight to change the face of TV The late director, producer, stuntman and teacher used film and video production to lift up the voices of Seattle’s Black community. by Jas Keimig / May 9, 2023
Culture Black Arts Legacies: Milt Simons’ experimental artistic life Undersung in his time, the painter, teacher and multimedia artist wasn’t afraid to color outside the lines. by Jas Keimig / June 6, 2023
Culture Black Arts Legacies: Syvilla Fort helped put Seattle dance on the map The Seattle-born dancer/choreographer worked with artists from Merce Cunningham and John Cage to Eartha Kitt and James Dean. by Jas Keimig / June 30, 2023
Culture Kevin Kling: a master monologist at the Rep Kevin Kling and Simone Perrin in <i>How? How? Why? Why? Why?</i>, now playing at the Seattle Rep. (Chris Bennion) by Tom Keogh / March 26, 2008
Culture The Rep updates Moliere with TV comedy riffs A scene from <i>Imaginary Invalid</i>, now playing at Seattle Repertory Theater. (Chris Bennion) by Tom Keogh / March 5, 2008
The African American Film Festival is a fine example of community-based exhibition African American Film Festival flyer. by Tom Keogh / April 15, 2008
Anne Frank at Intiman: an avatar of uncompromised human spirit Lucy DeVito stars as Anne Frank in Intiman Theatre's production of <i>The Diary of Anne Frank</i>. (Chris Bennion) by Tom Keogh / April 7, 2008
Shrek the Musical opens, full of flippant perversity <i>Shrek</i> the movie. (DreamWorks) by Tom Keogh / September 15, 2008
Inside Crosscut Divisive issues like Native disenrollment take careful reporting For Indigenous affairs reporter Luna Reyna, the decision to write about the Nooksack 306 required some soul-searching. by Luna Reyna / October 11, 2022
News How a federal border became a dividing line for Nooksack citizenship Disenrolled Nooksack citizens believe that the U.S.-Canada border, and legal metrics like blood quantum, ignore the nuances of pre-colonial Indigenous belonging. by Luna Reyna / October 6, 2022