Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Culture Remembering the Viaduct and the views that no longer exist Meet the Seattle photographer who memorialized the last days of the waterfront highway. by Brad Curran / January 21, 2020
Opinion Saving Washington: The case for a wealth tax In 300 words, community leaders offer ideas to soften the economic blow caused by coronavirus. by Michael McGinn / April 6, 2020
Culture An artist muses on the death of his neighbor: the Viaduct Baso Fibonacci has created art next to Seattle's Alaskan Way Viaduct for 10 years. He puts on one more show as the demolition begins. by Brad Curran & Matt M. McKnight / March 18, 2019
Opinion Seattle gets an F on snow shoveling It's time for city government and the able-bodied among us to shoulder a bigger load in making our city accessible to all. by Michael McGinn / February 15, 2019
Culture What comes after the Viaduct? This Seattle architect has big ideas In the latest episode of The Teardown, David Miller contemplates the role of Seattle's Viaduct in his life and his city, as well as his role in unmaking it. by Brad Curran / August 21, 2019
Opinion Seattle's car megatunnel is here. Can the city still lead on climate? Workers watch — and photograph — the breakthrough of the Bertha tunnel-boring machine. by Michael McGinn / April 5, 2017
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Lawrence Brownlee shines in Seattle Opera's Puritani Lawrence Brownlee (Arturo) in <i>I Puritani</i>. (Rozarii Lynch) by Fred Hauptman / May 4, 2008
The good old days Gunter Herbig. (Terry Harrison Artists Management) by Fred Hauptman / April 19, 2008