Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Inside Crosscut Why Crosscut is sunsetting its opinion section Crosscut isn't abandoning opinions, just finding a new way for you to hear them. by M. David Lee III / December 3, 2021
Inside Crosscut Meet Crosscut's new executive editor This is M. David Lee III's second move to Seattle. Since his last stay, the city has changed a lot — and so has he. by M. David Lee III / November 16, 2021
Inside Crosscut What Crosscut learned from a public records request by Real Change The Seattle Police Department’s hidden involvement in two 2020 opinion articles is an opportunity to reflect upon newsroom trust. by M. David Lee III / August 1, 2023
Environment Standing up for salmon in Alaska's boundary waters In southeast Alaska, tribes on both sides of the border unite in opposition to a Canadian mine that threatens ancestral fish runs. by Samantha Larson / November 21, 2018
Environment What the death of WA’s carbon tax says about the future Some lessons gained from the failure of Initiative 1631. by Kate Schimel High Country News / February 6, 2019
Environment The impermanence of wonder and whales A lifelong visitor to the San Juan Islands reflects on the southern resident orcas, changing ecosystems and the passage of time. by Samantha Larson / October 29, 2018
Tech Robot cars: panacea or plague? Driverless cars could make air pollution worse and cost the city millions in lost revenue, according to a new study. by Samantha Larson / March 29, 2017
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007