Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion Why Seattle needs more history in its politics, and more politics in its art Chicago, a city deeply attuned to its cultural and political history, offers lessons for our arts institutions and our politicians. by Dujie Tahat / November 22, 2019
Opinion The problem with Seattle's progressive chattering class Political advocacy organizations could learn from our city’s long tradition of organizing and occupation. by Dujie Tahat / December 30, 2020
Opinion System failure: Seattle isn't dying and poverty isn't a crime A recent report on misdemeanors continues a toxic narrative in local politics. by Dujie Tahat / October 10, 2019 / Updated at 5:07 pm October 15, 2019
Culture Best of 2018: Seattle’s new party place? An historic church downtown An historic Seattle church is now a hot spot for events. by Clair Enlow / December 25, 2018
Culture Seattle’s new waterfront design will play to your instincts The designer of New York’s High Line will brings its vision — and a few lessons in human nature — to Seattle’s waterfront. by Clair Enlow / May 16, 2018
Culture Mushroom farm? Park? Oh, the possibilities for this Seattle tunnel File photograph of the Battery Street Tunnel in Seattle during the viaduct's semiannual inspection in 2009. by Clair Enlow / November 12, 2017
Opinion Seattle's game board of sidewalks The city should be easy and welcoming to walk around. But in downtown Seattle, we have a long way to go. by Clair Enlow / December 20, 2017
Culture In Kenmore, urbanism takes root in suburbia You too can move to a nice urban neighborhood — in a suburb. by Clair Enlow / March 13, 2018