Intiman's new Craig Lucas play: blighted lives and hidden truths Daniel Zaitchik, left, plays Billy and James McMenamin is Tad in the Intiman production of Craig Lucas' <I>Prayer for My Enemy</I> by Ben Rankin / August 13, 2007
Doing Shakespeare proud at the Seattle Rep Christine Marie Brown as Viola and Barzin Akhavan as Orsinio in Shakespeare's <i>Twelfe Night</i> at the Seattle Rep. (Chris Bennion) by Ben Rankin / September 27, 2007
Opinion The MLS can't ban the anti-fascist Iron Front flag. At least not in Seattle Flags for Pride, Cascadia and America flow freely at Sounders matches. According to Seattle law, flags against bigotry and racism should have that same right. by Nate Christiansen / September 17, 2019
Opinion In Seattle, restaurants have to serve Sarah Huckabee Sanders. Let’s fix that Seattle restaurants would've had to serve Trump's aide because of a law that prohibits discriminating against political beliefs. by Nate Christiansen / July 3, 2018
Opinion Taxpayer money will defend Sawant, but that could’ve been avoided Seattle City Councilmember Kshama Sawant during a meeting in the council chambers at City Hall. by Nate Christiansen / October 31, 2017
Opinion A gym banned a white supremacist, but Seattle law is on his side NW Fitness Project may have illegally discriminated against Greg Johnson when they banned him, at least according to an ill-thought Seattle law. by Nate Christiansen / February 14, 2018
Opinion How the Honest Ads Act could harm grassroots advocacy The new bill has the potential to harm the sort of earnest local advocates whom Sens. Cantwell and Murray would otherwise seek to protect. by Nate Christiansen / January 22, 2018
A clean and confident production of 'Hamlet' Darragh Kennan as Hamlet by Ben Rankin / November 11, 2010
Culture At Intiman, a potent rendering of a hardscrabble world Intiman's new artistic director, Kate Whoriskey, restages the Pulitzer Prize-winning 'Ruined' by Ben Rankin / July 28, 2010
Culture ACT's fascinating collage on race and identity At ACT: a fusion of movement and theater by Ben Rankin / July 10, 2009