Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Equity When a Washington woman fought tribal disenrollment, she became a target How a burglary, social media and politics led to the bullying of a Nooksack Tribal councilwoman out of office. by Jane C. Hu High Country News / February 6, 2020
Environment COVID-19 and wildfire smoke are a deadly combo for Seattle With smoke shelters shuttered, public health officials worry thousands could suffer from unhealthy air. by Jane C. Hu High Country News / July 29, 2020
Environment Coronavirus cuts off a Washington border town from two countries Point Roberts residents used to cross through Canadian land daily. When the pandemic caused the border to close, they found themselves stranded. by Jane C. Hu High Country News / August 11, 2020
News Wilderness rescuers face a busy winter complicated by COVID The pandemic has driven an increase in outdoor activity and rescues, while limiting training and volunteer opportunities. by Jane C. Hu High Country News / November 16, 2020
Environment How COVID reshaped Seattle, season by season Disaster researchers take a Prius-eye view of how COVID-19 is changing the city. by Jane C. Hu High Country News / December 21, 2020
Environment Six months, 18,000 meals: Feeding Seattle’s frontline workers Ellen Kuwana's We Got This Seattle keeps employees at grocery stores, homeless shelters and fire stations fed as they battle the pandemic. by Jane C. Hu High Country News / September 4, 2020
Environment Why growing antibiotic resistance in the Salish Sea's marine mammals is bad news for humans To learn how antibiotic-resistant bacteria jump from wildlife to livestock to pets to humans, researchers are collecting samples from a wide range of species — including those in the ocean. by Jane C. Hu High Country News / October 21, 2019
Culture A museum for the pinball obsessed At the Seattle Pinball Museum, you can flip balls in over 50 machines to your callused fingers’ content since you pay a flat rate of $15 to get in. by Chason Gordon / March 13, 2017
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007