Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion As support for a business tax in King County builds, should progressives celebrate? Suddenly Amazon and other corporate backers are willing to make a concession — but only to avoid a larger one. by Katie Wilson / February 5, 2020
Opinion The anti-Bezos may be coming, but he won’t save us More than benevolent billionaires, what we really need is democracy. by Katie Wilson / January 29, 2020
Opinion For decades, Paul Dorpat chronicled — and lived out — Seattle's weirdness The prolific local historian talks art, counterculture, and the importance of knowing the history of where you live. by Katie Wilson / January 22, 2020
Opinion Who’s afraid of rent control? The history and politics of making rent less damn high, in Seattle and beyond. by Katie Wilson / January 6, 2020
Opinion The decade progressives started fighting for themselves Seattleites of the future will remember the 2010s for the first stirrings of a new movement. by Katie Wilson / December 26, 2019
News 2019 year in review It's been an incredible year in Seattle and the Pacific Northwest. These stories started conversation, change, and awareness. by Ana Sofia Knauf & Mohammed Kloub / December 20, 2019
Inside Crosscut We're closing Crosscut's comment section. Here's why — and what's next With the rise of social platforms and an uptick in threatening comments, the newsroom is taking reader engagement in a different direction. by Ana Sofia Knauf & Anne Christnovich & Mohammed Kloub / December 19, 2019
Opinion Odd jobs in The Emerald City Looking back on my first year in Seattle, it's the work that comes back. by Katie Wilson / December 17, 2019