News 2023: Photos of the year Babies in prison, Starbucks unions, and Seattle cycling. Crosscut photographers captured a year of growth and change across Washington state. by Genna Martin & Crosscut Visuals Staff / December 15, 2023
Intiman's new Craig Lucas play: blighted lives and hidden truths Daniel Zaitchik, left, plays Billy and James McMenamin is Tad in the Intiman production of Craig Lucas' <I>Prayer for My Enemy</I> by Ben Rankin / August 13, 2007
Doing Shakespeare proud at the Seattle Rep Christine Marie Brown as Viola and Barzin Akhavan as Orsinio in Shakespeare's <i>Twelfe Night</i> at the Seattle Rep. (Chris Bennion) by Ben Rankin / September 27, 2007
Culture Festivities in Focus | A Christian Orthodox church marks Theophany On the rainy bank of the Pilchuck River in Snohomish, a growing St. Thomas Orthodox Church celebrated the Holy Trinity and the baptism of Jesus. by Genna Martin / January 11, 2023
News 2022: The year in photos Pickleball mania, vaccinated tigers, Ukrainian art and the fall of 'Roe.' These images taken across Washington state made us think, feel and laugh. by Genna Martin & Crosscut Visuals Staff / December 16, 2022
Inside Crosscut Our new photo series captures the love and light of holidays As the days grow darker, the Festivities in Focus project aims to celebrate joy within a barrage of often difficult news. by Genna Martin / November 29, 2022
Culture LGBTQ bars are ready for Pride after a year of lockdown Seattle’s queer bar scene has been precarious in recent years and 2020 struck the final blow to several long-standing haunts, including Re-bar and R Place. by Genna Martin / June 25, 2021
Culture As pandemic ebbs, Seattle’s Pride gets back to its roots Smaller, less branded events populate the city as LGBTQ business owners hope to push Pride into July by Genna Martin / July 2, 2021
Culture ACT's Noel Coward show: joyful and unrestrained Anna Lauris in ACT's <i>A Marvelous Party</i>. (Chris Bennion) by Ben Rankin / June 24, 2008
Culture A chamber Julius Caesar set in feudal Japan Seattle Shakespeare Company mounts a vigorous, mostly successful version of a good play for this political season. by Ben Rankin / January 18, 2008