Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion The Kobe Bryant I knew A former NBA writer reflects on the Black Mamba's greatness, days after his tragic death. by Glenn Nelson / January 28, 2020
Opinion Last words on a forgotten era in Seattle’s racial history Mildred McHenry sought a refuge from the indignities of the South and found a life of adventure, challenges and influence in the Central District. by Glenn Nelson / January 3, 2020
Opinion Precise and poignant, Alex Tizon sheds light on 'invisible people' in posthumous book The Seattle writer gave Asian American journalists like me permission to aspire. by Glenn Nelson / December 11, 2019
Opinion The death of Seattle's self-declared wokeness Tuesday's election laid bare the thin pretense behind the notion that this city is a beacon for tolerance. by Glenn Nelson / November 7, 2019
Opinion The 'greatest bird guide ever' on race, survival, and birding while Black Meet Drew Lanham, the professor and conservation activist behind the viral video "Rules for the Black Birdwatcher." by Glenn Nelson / October 29, 2019
Opinion Gov. Jay Inslee's approach will be key to fighting COVID-19 As coronavirus deaths mount in Washington state, the governor hasn't been particularly front and center. by Joe Copeland / March 4, 2020
Opinion A 'trail of ghosts' in Seattle, 78 years after Japanese incarceration On this Day of Remembrance, Japanese Americans help ask who gets to identify as American today. by Glenn Nelson / February 19, 2020
Inside Crosscut Remembering Crosscut contributor Peter Jackson A founder and longtime editor pay respects to the lifelong Seattleite — a good friend and great writer. by Knute Berger & Joe Copeland / March 25, 2020