Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion 'Growing fond of the gloom': How Seattle became home Everywhere I went in 2019, I found myself missing a piece of the city. by Samantha Allen / December 25, 2019
Opinion What does a transplant owe to Seattle? I couldn't do everything to become an ethical citizen of my new home, but I could do something. by Samantha Allen / February 17, 2020
Opinion Pride is more than a parade In these pandemic times, let's remember that Pride Month is about the resilience, creativity and beauty of the LGBTQ community. by Samantha Allen / May 26, 2020
Inside Crosscut Why Crosscut is reminding readers about the 1918 flu The last great pandemic hit the Pacific Northwest a century ago. It should inform how we think about the coronavirus. by Mason Bryan / May 19, 2020
Opinion The Supreme Court rules there is no un-queering America Today's decision in favor of LGBTQ employment protections confirms that being pro-LGBTQ is the American way. by Samantha Allen / June 15, 2020
Opinion It's not so hard to imagine a life without police Like many white Americans, I grew up unencumbered by the punitive presence of law enforcement. Black Americans deserve this, too. by Mason Bryan / June 15, 2020
Opinion White innocence is a fantasy. Here's how I'm confronting it The killing of George Floyd presents yet another opportunity for white self-reckoning. by Mason Bryan / May 29, 2020
Inside Crosscut Mid-pandemic, we gathered ideas to help save Washington From helping child care workers to taxing wealth, Crosscut contributors made their case for softening the blow of the pandemic's economic consequences. by Mason Bryan / April 28, 2020