Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Culture ‘No one can take your soul or ideas’: Seattle concert honors musicians killed in the Holocaust 'Art from Ashes' commemorates 75 years since the liberation of Auschwitz. by Tom Keogh / January 23, 2020
Culture A Seattle carpenter goes from building a bookstore to publishing his first book Once a journalist, grassroots activist and aid worker in war-torn Bosnia, Peter Lippman chronicles the country's troubled history. by Tom Keogh / November 29, 2019
Culture This Seattle writer wants to change how we talk to kids about death Facing her own terminal diagnosis, a cookbook author pivots to recipes for coping with grief. by Tom Keogh / November 8, 2019
Culture Jazz goes to the opera to honor Charlie Parker in ‘Yardbird’ Seattle Opera’s premiere production makes new rules, tells a more inclusive story. by Tom Keogh / February 20, 2020
Opinion Ignoring nursing homes denies our own humanity As COVID-19 cases increase in these communities, a writer reflects on the lives behind the statistics. by Tom Keogh / July 6, 2020
Opinion What London and Stockholm can teach Seattle about congestion pricing The Emerald City wants to implement a transportation solution that is equitable. Without viable alternatives to driving, that might be impossible. by Chuck Wolfe / June 21, 2019
Culture Seattle author Timothy Egan walks an ancient route to find faith in the future In his new book, the writer faces blisters, bomb-sniffing dogs and life’s biggest questions. by Tom Keogh / October 15, 2019
Opinion A view of Seattle from the outside looking in Amazon, homelessness, progressive politics: What really defines this city? by Chuck Wolfe / August 6, 2018