Seattle Opera's enjoyable, traditional Flying Dutchman The Flying Dutchman, played by Greer Grimsley, laments his fate by Fred Hauptman / August 7, 2007
Seattle Opera rediscovers the noble simplicity of Gluck From left, William Burden as Pylades and Brett Polegato as Orestes in <i>Iphigenie en Tauride</i>. (Bill Mohn) by Fred Hauptman / October 16, 2007
Opinion As support for a business tax in King County builds, should progressives celebrate? Suddenly Amazon and other corporate backers are willing to make a concession — but only to avoid a larger one. by Katie Wilson / February 5, 2020
Opinion The anti-Bezos may be coming, but he won’t save us More than benevolent billionaires, what we really need is democracy. by Katie Wilson / January 29, 2020
Opinion For decades, Paul Dorpat chronicled — and lived out — Seattle's weirdness The prolific local historian talks art, counterculture, and the importance of knowing the history of where you live. by Katie Wilson / January 22, 2020
Opinion Who’s afraid of rent control? The history and politics of making rent less damn high, in Seattle and beyond. by Katie Wilson / January 6, 2020
Opinion The decade progressives started fighting for themselves Seattleites of the future will remember the 2010s for the first stirrings of a new movement. by Katie Wilson / December 26, 2019
Opinion Odd jobs in The Emerald City Looking back on my first year in Seattle, it's the work that comes back. by Katie Wilson / December 17, 2019
Opinion Leaf blowers? Not in my backyard After a bruising election cycle, it’s time for Seattle to unite around a common enemy. by Katie Wilson / November 27, 2019 / Updated Monday, Dec. 2 at 3:30 pm
Opinion The view from The Phinney Managing an apartment building in the early days of the housing crisis, I got a glimpse of the old Seattle. by Katie Wilson / November 15, 2019