Choreographers and performers say a lack of studio space, high costs of living and the pandemic have made it hard to kickstart a career in the city.
The first feature film by Seattle talent Zia Mohajerjasbi is a lyrical ode to a side of the city not often shown in movies.
Seattle’s Jite Agbro channels Bryant Manor — and its impending demolition — in a new immersive exhibition in South Lake Union.
As new development proliferates in the historically Black neighborhood, artists proclaim: ‘We were here, and we are still here, and we will be here.’
Nurturing Roots fosters community where gentrification creates a barrier to owning land.
Seattle is one of the last major cities with a large LGBTQ+ population to get a permanent, public and physical space for grief and remembrance.
Crosscut’s new columnist digs into how the Pacific Northwest’s biggest cities can grow sustainably and equitably, and serve us all better.
Crosscut is collecting stories from the pandemic about eviction, rental debt and homelessness. Share yours.
Phase 2 brings cautious optimism and tons of great stuff to experience at Puget Sound cultural venues.
In ‘The Freezer Door,’ Mattilda Bernstein Sycamore searches for glimmers of connection in a changed city.
A new location four blocks north won’t change the club’s iconic place in a legendary scene.
By making sure essential services are just a short walk or ride away, the city could recover from the pandemic and fight climate change at the same time.
The new agency plans to combat gentrification by securing venues for arts and cultural groups.
From studios in the University and Fremont bridge towers, two local illustrators draw attention to the region's history.
Quin’Nita Cobbins-Modica, the historian now leading BlackPast.org, talks about this pivotal moment and the women who helped get us here.
As the pandemic emboldens bigotry, Monyee Chau tells her neighborhood: “We will survive this too.”